The Ingoldsby Country: Literary Landmarks of the "Ingoldsby Legends"Harper, Charles G. (Charles George)
General
The Ingoldsby Country: Literary Landmarks of the "Ingoldsby Legends"
Harper, Charles G. (Charles George)
Ingoldsby, Thomas, 1788-1845. Ingoldsby legends; Kent (England) -- Description and travel
The cult of this peculiarly sainted person was extraordinary, and
far transcended that of any other martyr. To his shrine, erected in
a place of especial honour, and encrusted with gold and gems, the
pilgrims of many nations and many centuries flocked, greatly to the
enrichment of the Church. The miraculous cures wrought at his tomb,
and the marvellous legends that clustered around the story of his life
and death, were the theme of ages. But the gross superstitions, and
the grosser scandals, tricks, and miscellaneous knaveries that were
encouraged by that martyr-worship had discredited him by the time of
Henry VIII., that less superstitious age when it was possible for the
King and his advisers to declare "Thomas Becket" a traitor, to submit
his relics to every indignity, to destroy them and his shrine, and to
seize all the endowments and valuables connected with his worship.
The great destruction wrought at the Reformation accounts for the
scantiness of Becket's memorials. Here, in the "Martyrdom," only the
Norman walls that looked down upon the scene, and some portions of the
pavement, are left. A square piece of stone, inserted in the middle of
a large slab, marks the exact spot where he fell, and tells how the
original stone, regarded as of a peculiar sanctity, had been at some
time or another removed.
CHAPTER V
TAPPINGTON HALL
The central point of the Ingoldsby Country is, of course, the
Ingoldsby manor house of Tappington Hall. To discover this we must
leave Canterbury by the Dover Road, and, climbing up to the rise
of Gutteridge Gate, where a gibbet stood in ancient times and a
turnpike-gate until recent years, drop down into the village of Bridge,
whose name derives from an arch thrown at an early period across the
River Stour. At the summit of the corresponding rise out of Bridge,
the road, running exactly on the site of the Roman Watling Street,
comes to that bleak and elevated table-land known as Barham Downs, the
scene of Cæsar's great battle with the Britons on July 23rd, A.D. 56.
Twenty-seven thousand Roman soldiers, horse and foot, met the wild
rush of the Britons, who, with the usual undisciplined and untaught
courage of uncivilised races, flung themselves upon the invaders and
were thrown back by the impenetrable wall of the serried phalanxes.
Recoiling dismayed from this reception, they were instantly pursued
by the Roman cavalry and cut up into isolated bands, who fought
courageously all that fatal day in the dense woodlands. Protected
by mounds and trenches defended with palisades of stakes cunningly
interwoven with brushwood, they prolonged the hopeless contest until
nightfall, and then fell back. Cæsar, describing these woodland forts
as _oppida_, gives especial attention to one particularly troublesome
stronghold. "Being repulsed," he writes, "they withdrew themselves
into the woods and reached a place which they had prepared before,
having closed all approaches to it by felled timber." This retreat
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account