The Ingoldsby Country: Literary Landmarks of the "Ingoldsby Legends"Harper, Charles G. (Charles George)
General
The Ingoldsby Country: Literary Landmarks of the "Ingoldsby Legends"
Harper, Charles G. (Charles George)
Ingoldsby, Thomas, 1788-1845. Ingoldsby legends; Kent (England) -- Description and travel
Here begins that famous three miles length of bulwark against the sea,
Dymchurch Wall. Witches no longer skim across it on their broomsticks,
but when the wind comes booming out of the Channel from a lowering
sky, and the seagulls fly screaming low upon the water, you will,
quite possibly, not believe and tremble, but will understand--what you
will by no means comprehend only by reading the printed page--that it
is, to the imaginative, a "whisht" place. The modern marshmen are not
imaginative, fancy does not breed in their brains, and all they see
in a storm is the chance of a rich aftermath of driftwood; but their
forebears heard a voice in every wind, and handled every besom with
that respect due to a thing which, under cover of night, might have
been, and might be again, an unholy sort of Pegasus, bound for some
Satanic aerial _levée_.
Dymchurch village shelters very humbly behind this Wall, from whose
summit one looks down upon it, or, on the other side, down upon a long,
vanishing perspective of solitary sands and blackened, rotting timber
groynes. The Wall is about twelve feet high, with a curved, concave
"apron" of boulders toward the sea, and an abrupt turfy slope on the
inland face. The summit affords a fine continuous walk, and has been
an undisguised earthen and grassy path since a few years ago, when
_£_35,000 worth of paving-stones, provided to make it look neat and
town-like, were swept away to sea in a storm.
[Illustration: DYMCHURCH WALL.]
Bungalows have now begun to appear here and there inside the Wall
adjoining Dymchurch, for there are summer visitors to whom the
solitude and the unconstrained freedom of the empty sands are welcome;
but, situated as they are, close against the inner face of the Wall,
they have the blankest sort of outlook.
CHAPTER IX
HYTHE AND FOLKSTONE
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