The Ingoldsby Legends; or, Mirth and MarvelsIngoldsby, Thomas
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The Ingoldsby Legends; or, Mirth and Marvels
Ingoldsby, Thomas
English fiction -- 19th century; English poetry -- 19th century; English wit and humor; Humorous poetry, English
"The invalid was lying on the outside of the bed partly dressed, and
wearing a white dimity wrapping-gown, the colour of which corresponded
but too well with the deadly paleness of her complexion. Her cheek was
wan and sunken, giving an extraordinary prominence to her eye, which
gleamed with a lustrous brilliancy not unfrequently characteristic
of the aberration of intellect. I took her hand; it was chill and
clammy, the pulse feeble and intermittent, and the general debility of
her frame was such that I would fain have persuaded her to defer any
conversation which, in her present state, she might not be equal to
support. Her positive assurance that until she had disburdened herself
of what she called her 'dreadful secret,' she could know no rest
either of mind or body, at length induced me to comply with her wish,
opposition to which in her then frame of mind might perhaps be attended
with even worse effects than its indulgence. I bowed acquiescence, and
in a low and faltering voice, with frequent interruptions occasioned
by her weakness, she gave me the following singular account of the
sensations which, she averred, had been experienced by her during her
trance:--
"'This, sir,' she began, 'is not the first time that the cruelty of
others has, for what purpose I am unable to conjecture, put me to a
degree of torture which I can compare to no suffering, either of body
or mind, which I have ever before experienced. On a former occasion
I was willing to believe it the mere effect of a hideous dream, or
what is vulgarly termed the nightmare; but this repetition, and the
circumstances under which I was last _summoned_, at a time, too, when
I had not even composed myself to rest, fatally convince me of the
reality of what I have seen and suffered.
Public-domain text, read in full here on John Shaqi.
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