The Ingoldsby Legends; or, Mirth and MarvelsIngoldsby, Thomas
General
The Ingoldsby Legends; or, Mirth and Marvels
Ingoldsby, Thomas
English fiction -- 19th century; English poetry -- 19th century; English wit and humor; Humorous poetry, English
When his situation was first discovered, a small miniature was found
tightly grasped in his right hand. It had been the property of
Frederick, and had more than once been seen by the Müllers in his
possession. To this the patient made continued reference, and would
not suffer it one moment from his sight. It was in his hand when he
expired. At my request it was produced to me. The portrait was that of
a young woman in an English morning dress, whose pleasing and regular
features, with their mild and somewhat pensive expression, were not, I
thought, altogether unknown to me. Her age was apparently about twenty.
A profusion of dark chestnut hair was arranged in the Madonna style
above a brow of unsullied whiteness, a single ringlet depending on the
left side. A glossy lock of the same colour, and evidently belonging to
the original, appeared beneath a small crystal, inlaid in the back of
the picture, which was plainly set in gold, and bore in a cipher the
letters M. G. with the date 18--. From the inspection of this portrait
I could at the time collect nothing, nor from that of the Doctor
himself, which also I found the next morning in Frederick's desk,
accompanied by two separate portions of hair. One of them was a lock,
short, and deeply tinged with grey, and had been taken, I have little
doubt, from the head of my old friend himself; the other corresponded
in colour and appearance with that at the back of the miniature. It was
not till a few days had elapsed, and I had seen the worthy Doctor's
remains quietly consigned to the narrow house, that while arranging his
papers previous to my intended return upon the morrow, I encountered
the narrative I have already transcribed. The name of the unfortunate
young woman connected with it forcibly arrested my attention. I
recollected it immediately as one belonging to a parishioner of my own,
and at once recognised the original of the female portrait as its owner.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account