The Inhabitants of the PhilippinesSawyer, Frederic H.
History
The Inhabitants of the Philippines
Sawyer, Frederic H.
Ethnology -- Philippines; Philippines -- Social life and customs
My native diver informed me that he was much more afraid of the
Manta than of any shark, and that once when he was diving for some
purpose--I do not recollect when--at the bottom a shade fell on him,
and, on looking up, he beheld an enormous manta right above him--in
his words, "as big as a lighter." However, it passed on, and he was
able to regain the surface.
Perhaps the most remarkable talent possessed by the Tagal is his gift
for instrumental music.
Each parish has its brass band supplied with European instruments,
the musicians generally wearing a quasi-military uniform. If the
village is a rich one, there is usually a string band as well. They
play excellently, as do the military bands. Each infantry battalion
had its band, whilst that of the Peninsular Artillery, of ninety
performers, under a band-master holding the rank of lieutenant, was
one of the finest bands I have ever heard. There were few countries
where more music could be heard gratis than in the Philippines,
and for private dances these bands could be hired at moderate rates.
The Tagal is also a good agriculturist. According to his lights, he
cultivates paddy with great care. It is all raised in seed-plots, the
soil of which is carefully prepared, and fenced about. The fields are
ploughed and harrowed whilst covered with water, so that the surface
is reduced to soft mud. When the ground is ready for planting, the
whole population turns out, and, being supplied with the young shoots
in bundles, of which tally is kept, proceed to plant each individual
shoot of paddy by hand.
Ankle-deep in the soft mud of the paddy-fields stand long rows of
bare-legged men, women and children, each in a stooping position,
holding against the body with the left hand a large bundle of
rice-plants, incessantly and rapidly seizing a shoot with the right
hand, and plunging it into the black slime with the forefinger
extended.
Hour after hour the patient toil goes on, and day after day, in all the
glare of the burning sun, reflected and intensified from the surface
of the black water, till the whole vast surface has been planted. The
matandang-sa-naya, or village elder, then announces how many millions
of rice shoots have been put in. The labour is most exhausting,
from the stooping position, which is obligatory, and because the eyes
become inflamed from the reflection of the sun on the black water. As
the paddy is planted during the rainy season, it often happens that
the work is done under a tropical downpour instead of a blazing sun.
Public-domain text, read in full here on John Shaqi.
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