The Initials: A Story of Modern LifeTautphoeus, Jemima Montgomery, Baroness
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The Initials: A Story of Modern Life
Tautphoeus, Jemima Montgomery, Baroness
Bavaria (Germany) -- Fiction; British -- Germany -- Fiction; Love stories
“I knew it, I knew it; she is coming,” cried Crescenz;—but it was only
Hildegarde, who brought the empty teapot to refill it.
She looked very grave when she heard what had occurred, and proposed
Hamilton’s accompanying her to the drawing-room, as he might be missed
and Major Stultz displeased; he felt that she was right, and followed
silently. His tea was unanimously praised, but Madame Rosenberg
exhibited some natural consternation on hearing that the whole contents
of her paper cornet, with which she had expected to regale her friends
at least half-a-dozen times, had been inconsiderately emptied at once
into the teapot!
“It was no wonder the tea was good! English tea, indeed! Anyone could
make tea after that fashion! But then, to be sure, English people never
thought about what anything cost. For her part she found the tea bitter,
and recommended a spoonful or two of rum.” On her producing a little
green bottle, the company assembled around her with their tea-cups, and
she administered to each one, two, or three spoonfuls, as they desired
it.
In the meantime Mr. Rosenberg sat in the adjoining dark bedroom at the
card-table—sometimes shuffling, sometimes drumming on the cards, and
whistling indistinctly. Hildegarde had observed an expression of
impatience on his face, and, to prevent inquiries about the lamp, she
quietly brought candles from the drawing-room and placed them beside
him.
“Thank you, Hildegarde,” said her father, more loudly than he generally
spoke; “thank you, my dear; you never forget my existence, and even obey
my thoughts sometimes.”
“Why, where’s the lamp?” cried Madame Rosenberg; “where’s the lamp? What
on earth can Crescenz have done with the lamp?”
“Broken it, most probably,” said Mr. Rosenberg, dryly. “Hildegarde,
place a chair for Major Stultz. She’s a good girl, after all, Major! a
very good girl, I can tell you.”
“No doubt, no doubt,” replied the Major, bowing over the proffered
chair.
“Go and see why your sister does not bring the lamp,” cried Madame
Rosenberg impatiently.
As Hildegarde slowly and with evident reluctance walked to the door, she
unconsciously looked towards Hamilton; he was listening very attentively
to the rhapsody of sense and nonsense poured forth by the Doctor’s wife,
who occasionally stopped to shake back, with a mixture of childishness
and coquetry, the long fair locks which at times half concealed her
face. Hamilton, however, saw the look, understood it, and gazed so
fixedly at the door, even after she had closed it, that his companion
observed it, and said abruptly: “Why did you look so oddly at
Hildegarde; and why do you stare at the door after she has left the
room?”
“If you prefer my staring at you, I am quite willing to do so.”
“You know very well I did not mean any such thing,” she cried with
affected pettishness; “can you not be serious for a moment, and answer a
plain question?”
Public-domain text, read in full here on John Shaqi.
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