The Initials: A Story of Modern LifeTautphoeus, Jemima Montgomery, Baroness
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The Initials: A Story of Modern Life
Tautphoeus, Jemima Montgomery, Baroness
Bavaria (Germany) -- Fiction; British -- Germany -- Fiction; Love stories
This speech was made with consummate cunning—a more common ingredient in
the composition of weak characters than is generally supposed. Major
Stultz’s manner had frightened Crescenz—she feared the anger of her
step-mother and the reproaches of her father, for she was essentially
timid, and the want of moral courage made her affect a simplicity which,
although in perfect keeping with her real character, was on the present
occasion mere acting, as she had perfectly understood Major Stultz’s
meaning. She could not have answered better; he was deceived, and while
wiping the perspiration from his crimson face, he begged her to forgive
his impatience, said that he had been guilty of entertaining odious
suspicions, and though Crescenz continued to blush while he spoke, and
would not raise her eyes from the table, he was too generous to distrust
her again, and attributed her subsequent embarrassment altogether to
timidity. Partly from a jealous recollection of the expression of
Hamilton’s eyes, partly from shame at her own duplicity and annoyance at
the unmerited praises now lavished on her by her lover, Crescenz began
to weep bitterly, and poor Major Stultz was obliged to talk a deal of
youthful nonsense in order to restore her equanimity, and induce her to
continue the interrupted conversation.
In the meantime, the unconscious cause of all the disturbance had
indulged in a long scrutiny of Hildegarde’s beautiful profile. She put
an end to it by turning to him, and saying with a glance at his book:
“You must have been reading French or English—our German letters at such
a distance from the light would have been illegible.”
“I have been reading Bulwer’s last novel. It is extremely interesting.”
“Indeed! I wish you would lend it to me before you send it back to the
library.”
“Is it possible you understand English, and have never spoken one word
to me!” exclaimed Hamilton.
“I do not see anything extraordinary in that,” replied Hildegarde,
smiling.
“You speak French so remarkably well, that I know you have a talent for
languages. I dare say you speak English perfectly!”
“I cannot speak a word.”
“You have not had enough practice, perhaps, but you understand it when
it is spoken.”
“Not a syllable.”
“Then may I ask you what you intend to do with this novel when I lend it
to you?”
“Read it from daybreak until seven o’clock, and at night as long as my
candle lasts,” replied Hildegarde, taking the book from him and looking
at the title page.
“If you can read that book, and understand it, you must be able to speak
a little,” observed Hamilton.
“I tell you I can neither speak nor understand English when it is
spoken, and yet I can read this novel, if you will lend it to me, quite
as well as if it were French or German.”
“You have had an odd kind of master!”
Public-domain text, read in full here on John Shaqi.
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