The Initials: A Story of Modern LifeTautphoeus, Jemima Montgomery, Baroness
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The Initials: A Story of Modern Life
Tautphoeus, Jemima Montgomery, Baroness
Bavaria (Germany) -- Fiction; British -- Germany -- Fiction; Love stories
“He does not mind being wet,” said Crescenz, stretching her head as far
as possible out of the window; “he sometimes goes out when it is
actually raining—Ah!” she exclaimed, faintly screaming, while she drew
back and covered her eyes with her hand, “his horse started frightfully
at the corner of the street—if he had been thrown on the pavement!”
“Let me see,” cried Madame Berger, pushing past her to take her
place—“how provoking, he has turned the corner! But Cressy, I say, come
here;” and she whispered a few words, and pointed downwards towards the
street, where the same officer who had been addressed by Zedwitz again
stood near the brazier’s shop, looking towards the window where they
were assembled.
“I wonder who he is!” exclaimed Madame Berger, returning his gaze with a
steadiness almost amounting to effrontery. “Do you know that officer,
Theodor?”
“No; but he will know you again,” he replied, laughing.
“I can pardon his looking towards this window,” said Madame Berger,
intending to be ingenuous, while her manner betrayed considerable
levity, “I can pardon his looking towards this window, for I dare say he
has not often seen three such pretty faces as ours together,” and she
attempted to draw Hildegarde towards her as she spoke.
“I don’t choose to be exhibited,” cried Hildegarde, drawing back. The
next moment she began to laugh, while she added, “I can inform you,
however, that you are quite mistaken if you think this window parade be
intended for you. I met that officer yesterday evening on the stairs
when I was coming from the cellar with Walburg, and she told me he is to
be married in spring to the daughter of the new lodger—so you may be
sure he is waiting to see Mademoiselle de Hoffmann, and not thinking of
either you or Crescenz.”
“I am not quite so sure of that,” said Madame Berger; “for you remember,
Crescenz, we saw him standing there more than a fortnight ago, and
before these Hoffmanns were in the house.”
“Very true,” said Crescenz, “but he is certainly looking at the windows
on the first floor now.”
“And he certainly _was_ looking up here when I first observed him,”
persisted Madame Berger. “Pray what sort of a person is this
Mademoiselle de Hoffmann? Has anyone seen her?”
“Walburg has seen her,” replied Crescenz, “and she says she is not at
all pretty; but the servants say she is very amiable and an excellent
housekeeper.”
“Probably not young,” observed Madame Berger, arranging her ringlets at
the glass—“probably not young, if she be amiable and a good housekeeper;
these qualities belong to riper years.”
“She is not very young, I believe.”
“I thought as much,” cried Madame Berger, laughing, “and he is certainly
not thirty—do you think he is?”
“He seems to be young,” said Crescenz, peeping carefully from behind the
muslin curtain.
“Crescenz, come away from the window,” said Hildegarde, authoritatively;
“it is not right to watch anybody in that way.”
Public-domain text, read in full here on John Shaqi.
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