The Initials: A Story of Modern LifeTautphoeus, Jemima Montgomery, Baroness
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The Initials: A Story of Modern Life
Tautphoeus, Jemima Montgomery, Baroness
Bavaria (Germany) -- Fiction; British -- Germany -- Fiction; Love stories
“And yet,” said Mr. Rosenberg, “Gothic buildings often combined colour
with form. In northern countries, either from stricter simplicity of
taste, or on account of the climate, the absence of colours is usual,
and sculpture takes their place; but in the south, beside the painted
ceilings, mosaics, and frescoes inside, the outsides of the churches
were ornamented with coloured marble. It is a mistake to suppose that
the Gothic and Byzantine architecture refused the assistance of colours;
on the contrary, the most brilliant and strongly contrasted painting is
common. To begin with the windows——”
“Rather let us dispense with them altogether,” said his wife, moving
towards the door.
“I have no objection,” said Mr. Rosenberg, turning round to look back
into the church, “for they do not suit the grey monotony of the walls,
and the gaudy colours playing so uncertainly on the cold surface have
something, to me, altogether disharmonious. In almost all the old
cathedrals,” he added, “the walls and pillars were formerly gorgeously
painted; and it is only in the later centuries that, either from want of
taste or poverty, they have been whitewashed.”
“I was not aware of that,” said Hamilton. “It cannot, however, make me
change my ideas all at once. A Gothic church is always handsome, with
its light pillars and pointed steeple and windows. I have never
travelled in southern countries, and my taste for bright colours has not
yet been made. Since I have been in Munich, I have begun merely to
tolerate them by degrees; and for this reason paintings of the Middle
Ages do not please me, no matter how celebrated they may be. I cannot
endure the bright red and blue draperies, or the terribly shining gold
backgrounds which are so common in those pictures. I dare say it is
great want of taste on my part, but the hard outlines appear to be
unnatural, and the glaring colours offensive.”
“Very probably, when viewed deliberately in a picture-gallery; but
exactly these pictures were intended for churches, and churches with
painted walls. You must allow that duller colours would have appeared
weak, or would have been completely lost, when submitted to the glowing
stream of light which would have fallen on them from windows of blue,
red, and amber-coloured glass!”
“All this never occurred to me,” said Hamilton; “but I suspect, as you
so warmly defend these bright colours, that you have seen and admired
them in more southern climes. Have you been in Italy?”
“Many years,” he replied, while a sudden flush passed across his face.
“Papa has been in Spain and in Greece too,” said Hildegarde.
“And yet you never speak of your travels!” exclaimed Hamilton,
surprised.
“Because I regret them,” said Mr. Rosenberg, sorrowfully. “I did not
travel expensively, and yet I wasted my whole patrimony and the best
years of my life in foreign countries. I know not what I should have
become at last, had I not by chance met Hildegarde’s mother in Tyrol.”
Public-domain text, read in full here on John Shaqi.
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