The Initials: A Story of Modern LifeTautphoeus, Jemima Montgomery, Baroness
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The Initials: A Story of Modern Life
Tautphoeus, Jemima Montgomery, Baroness
Bavaria (Germany) -- Fiction; British -- Germany -- Fiction; Love stories
Hildegarde turned from Hamilton with a slightly conscious blush. Never
had he seen or imagined anyone so lovely as she appeared to him at that
moment. The long, waving ringlets of her rich brown hair relieved the
slightly severe expression of her almost too regular features, while her
beautifully-formed figure, seen to advantage in her light ball-dress,
attracted equally by its roundness and delicacy. Had Hamilton seen her
for the first time that evening, he would have been captivated. When we,
however, remember that she had been for months the object of his first
love, that he had resided in the same house, and had had opportunities
of knowing and judging her by no means commonplace ideas, as they had
studied together, and that he was at a time of life when the feelings
are most impetuous, we may form some idea of the emotion which, for some
minutes, deprived him of the power of utterance. Hildegarde was so
perfectly independent in thought and action; she required so little of
that protection which her sex usually seek, that had she not been
eminently handsome, she would probably have found more people disposed
to admire her character than love her person. Men especially do not
often bestow affection on such women; but, when they do, it is with a
degree of passion which they seldom or never feel for the more gentle or
weaker of the sex. And so, irresistibly attracted by her beauty, and
perhaps hoping to find feelings as strong as her mind, three men now
loved her with characteristic fervour; her cousin, with an intensity
bordering on insanity; Zedwitz with the glowing steadiness of his
disposition and years, and Hamilton with all the ardour of extreme
youth.
“I thought Hildegarde would have worn one of my bracelets this evening,”
said Crescenz. “I offered her the choice of them all!”
“That was very kind of you, Crescenz,” said her father, “but Hildegarde
does not care for ornaments of that kind.”
“But look at that ugly little hair-bracelet which she insists upon
wearing,” said Crescenz, laughing. “If she had bracelets of her own, she
would wear them, I am sure. Everyone must like bracelets!”
Mr. Rosenberg took Hildegarde’s hand, and raised her passive arm towards
his eyes, in order to inspect the bracelet. “It is not ugly, nor ill
chosen either,” he observed, smiling; “a black bracelet makes an arm
look fairer still; but I own I did not think my treasure studied such
things!”
Hildegarde, with a look of annoyance, hastily unclasped the bracelet,
and threw it into her work-basket.
“Don’t be offended, Hildegarde. Every woman should endeavour to improve
her appearance as much as possible. Your arm is round and white, and the
bracelet pretty; it ought, perhaps, to have been a little broader, but
the horsehair was scarce, it seems! However, you can wear it very
creditably; at a little distance, people will think it the hair of some
very dear friend!”
Public-domain text, read in full here on John Shaqi.
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