The Initials: A Story of Modern LifeTautphoeus, Jemima Montgomery, Baroness
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The Initials: A Story of Modern Life
Tautphoeus, Jemima Montgomery, Baroness
Bavaria (Germany) -- Fiction; British -- Germany -- Fiction; Love stories
Something, however, he must
seek to interest him, and he turned towards Hildegarde. A more dangerous
study he could scarcely have found. She was seated on the grass, outside
the door of the wooden pavilion, beside her brothers, and, for the first
time since he had known her, seemed occupied with them. There was a
quiet avoidance of Zedwitz on her part, which, in contrast to the
coquetry of her sister, particularly interested Hamilton. This scarcely
perceptible avoidance was, however, unnoticed. Zedwitz was too
completely wrapt up in admiration, and had eyes and ears for her alone.
Weariness prolonged the meal, and twilight was deepening into night
before they thought of moving. Madame Rosenberg and Major Stultz said at
length that it was time to retire to rest; the others remembered that
they intended to make a fire on the top of the hill, and insisted on
putting their plan into execution. Major Stultz, afraid to oppose,
followed Crescenz; the guides were put in requisition, and in a short
time everyone was collecting wood and piling it in a heap.
The fire burned brightly, and coloured picturesquely the different
members of the party, as they lay dispersed around, some seated on the
stumps of trees, others extended on the grass; all weary, yet all
interested in their novel situation. Hamilton, apart from the others,
looked on without mixing in the careless conversation which was kept up.
It was to him like a scene in a play; he understood the double plot, and
had decided on making Hildegarde the heroine; but was Zedwitz the hero
who, at the end, was to obtain her fair hand? No—unaccountably enough,
he found that to suit his plan the old count must be perfectly obdurate.
Zedwitz was to give up the affair as hopeless; and Hildegarde!
Hildegarde was to—to—remain at home; yes, that would do—an inmate still
of her father’s house; and now, unconsciously, Hamilton, from supposing
himself a spectator, became, in thought, an actor. He was also in that
house. Hildegarde was to become insensibly aware of his good qualities
and good looks—was, in fact, to become desperately in love with him! he,
all the while, stoically indifferent. A feeling of honour was to make
him explain to her, in a most interesting scene, the impossibility of
a—she—Crescenz—Zedwitz. Here the party round the fire broke up. The boys
had fallen asleep, and were now being carried by the guides to the
_châlet_. Madame Rosenberg, Hildegarde, and Crescenz followed; Major
Stultz remained to finish his pipe, and the two young men commenced
fresh cigars. They did not exchange a word until their companion had
left them, when Zedwitz, pitching his cigar into the still glowing
embers, asked abruptly,—
“Do you know where you are to sleep to-night?”
“Not I,” answered Hamilton. “But I do not expect the accommodation to be
even tolerable.”
“We are to sleep together in a hay-loft.”
“I have done that before; and for one night it does not signify; but
Major Stultz?”
Public-domain text, read in full here on John Shaqi.
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