The Ink-Stain (Tache d'encre) — CompleteBazin, René
General
The Ink-Stain (Tache d'encre) — Complete
Bazin, René
Paris (France) -- Fiction
There my role ends. Jeanne and M. Charnot will do the rest. It is with
Jeanne, by the light of her eyes and her smile, that M. Mouillard is “to
study the situation;” he will have to struggle against the redoubtable
arguments of her youth and beauty. Poor man!
Jeanne is full of confidence. Her father, who has learned his lesson
from her, feels sure that my uncle will give in. Even I, who can not
entirely share this optimism, feel that I incline to the side of hope.
When I reached home, the porter handed me two cards from Larive. On the
first I read:
CH. LARIVE,
Managing Clerk.
P. P. C.
The second, on glazed cardboard, announced, likewise in initials,
another piece of news:
CH. LARIVE,
Formerly Managing Clerk.
P. F. P. M.
So the Parisian who swore he could not exist two days in the country
is leaving Paris. That was fated. He is about to be married; I’m sure
I don’t object. The only consequence to me is that we never shall meet
again, and I shall not weep over that.
BOURGES, August 4th.
If you have ever been in Bourges, you may have seen the little Rue
Sous-les-Ceps, the Cours du Bat d’Argent and de la Fleur-de-lys, the
Rues de la Merede-Dieu, des Verts-Galants, Mausecret, du Moulin-le-Roi,
the Quai Messire-Jacques, and other streets whose ancient names,
preserved by a praiseworthy sentiment or instinctive conservatism,
betoken an ancient city still inhabited by old-fashioned people, by
which I mean people attached to the soil, strongly marked with the stamp
of the provincial in manners as in language; people who understand all
that a name is to a street--its honor, its spouse if you will, from
which it must not be divorced.
My Uncle Mouillard, most devoted and faithful citizen of Bourges,
naturally lives in one of these old streets, the Rue du Four, within the
shadow of the cathedral, beneath the swing of its chimes.
Within fifteen minutes after my arrival at Bourges I was pulling the
deer’s foot which hangs, depilated with long use, beside his door. It
was five o’clock, and I knew for certain that he would not be at home.
When the courts rise, one of the clerks carries back his papers to
the office, while he moves slowly off, his coat-tails flapping in the
breeze, either to visit a few friends and clients, respectable dames who
were his partners in the dance in the year 1840, or more often to take
a “constitutional” along the banks of the Berry Canal, where, in the
poplar shade, files of little gray donkeys are towing string after
string of big barges.
So I was sure not to meet him.
Madeleine opened the door to me, and started as if shot.
“Monsieur Fabien!”
“Myself, Madeleine. My uncle is not at home?”
“No, Monsieur. Do you really mean to come in, Monsieur?”
“Why not?”
“The master’s so changed since his visit to Paris, Monsieur Fabien!”
Public-domain text, read in full here on John Shaqi.
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