The Ink-Stain (Tache d'encre) — CompleteBazin, René
General
The Ink-Stain (Tache d'encre) — Complete
Bazin, René
Paris (France) -- Fiction
Then, without waiting for my answer, like a man familiar with the
customs of the country, he took his horses down the road to the stable.
I went in. A swarm of bees and drones were buzzing like a whirlwind
beneath the plane-trees; a frightened white hen ran cackling from her
nest in the dust. No one appeared. I opened the door; still nobody was
to be seen. Inside I found a passage, with rooms to right and left and
a wooden staircase at the end. The house, having been kept well closed,
was cool and fresh. As I stood on the threshold striving to accustom my
eyes to the darkness of the interior, I heard the sound of voices to my
right:
“Picturesque as you please, but the journey has been a failure! These
people are no better than savages; introductions, distinctions, and I
may say even fame, had no effect upon them!”
“Do you think they have even read your letters?” “That would be still
worse, to refuse to read letters addressed to them! No, I tell you,
there’s no excuse.”
“They have suffered great trouble, I hear, and that is some excuse for
them, father.”
“No, my dear, there is no possible excuse for their keeping hidden
treasures of such scientific interest. I do not consider that even an
Italian nobleman, were he orphan from his cradle, and thrice a widower,
has any right to keep locked up from the investigation of scholars an
unequalled collection of Roman coins, and a very presentable show
of medallions and medals properly so-called. Are you aware that this
boorish patrician has in his possession the eight types of medal of the
gens Attilia?”
“Really?”
“I am certain of it, and he has the thirty-seven of the gens Cassia, one
hundred and eighteen to one hundred and twenty-one of the gens Cornelia,
the eleven Farsuleia, and dozens of Numitoria, Pompeia, and Scribonia,
all in perfect condition, as if fresh from the die. Besides these, he
has some large medals of the greatest rarity; the Marcus Aurelius with
his son on the reverse side, Theodora bearing the globe, and above
all the Annia Faustina with Heliogabalus on the reverse side, an
incomparable treasure, of which there is only one other example, and
that an imperfect one, in the world--a marvel which I would give a day
of my life to see; yes, my dear, a day of my life!”
Such talk as this, in French, in such an inn as this!
I felt a presentiment, and stepped softly to the right-hand door.
In the darkened room, lighted only by a few rays filtered between the
slats of the shutters, sat a young girl. Her hat was hung upon a nail
above her head; one arm rested on a wretched white wood table; her
head was bent forward in mournful resignation. On the other side of the
table, her father was leaning back in his chair against the whitewashed
wall, with folded arms, heightened color, and every sign of extreme
disgust. Both rose as I entered--Jeanne first, M. Charnot after her.
They were astonished at seeing me.
I was no less astounded than they.
Public-domain text, read in full here on John Shaqi.
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