Here was a spectacle for sensitive nerves! Evidently the old masters had been at work in this place. There were six divisions in the apartment, and each division was ornamented with a style of decoration peculiar to itself--and these decorations were in every instance formed of human bones! There were shapely arches, built wholly of thigh bones; there were startling pyramids, built wholly of grinning skulls; there were quaint architectural structures of various kinds, built of shin bones and the bones of the arm; on the wall were elaborate frescoes, whose curving vines were made of knotted human vertebrae; whose delicate tendrils were made of sinews and tendons; whose flowers were formed of knee-caps and toe-nails. Every lasting portion of the human frame was represented in these intricate designs (they were by Michael Angelo, I think,) and there was a careful finish about the work, and an attention to details that betrayed the artist's love of his labors as well as his schooled ability. I asked the good-natured monk who accompanied us, who did this? And he said, “We did it”--meaning himself and his brethren up stairs. I could see that the old friar took a high pride in his curious show. We made him talkative by exhibiting an interest we never betrayed to guides. “Who were these people?” “We--up stairs--Monks of the Capuchin order--my brethren.” “How many departed monks were required to upholster these six parlors?” “These are the bones of four thousand.” “It took a long time to get enough?” “Many, many centuries.” “Their different parts are well separated--skulls in one room, legs in another, ribs in another--there would be stirring times here for a while if the last trump should blow. Some of the brethren might get hold of the wrong leg, in the confusion, and the wrong skull, and find themselves limping, and looking through eyes that were wider apart or closer together than they were used to. You can not tell any of these parties apart, I suppose?” “Oh, yes, I know many of them.” He put his finger on a skull. “This was Brother Anselmo--dead three hundred years--a good man.” He touched another. “This was Brother Alexander--dead two hundred and eighty years. This was Brother Carlo--dead about as long.” Then he took a skull and held it in his hand, and looked reflectively upon it, after the manner of the grave-digger when he discourses of Yorick.