Inns of Court; London (England) -- Description and travel
The proceedings of the
Court of Chancery in 1900, in regard to the sale of Clifford’s Inn,
marked their final disappearance.
Of these ten lesser Inns, mentioned by Fortescue as having, in his day,
each one hundred students studying the first principles of the Law and
preparing to pass into the four Inns of Court, all have been now
dissolved, and many of them have been destroyed.
In the days when Clerks of Chancery and Attorneys dwelt in these Inns,
together with embryo Barristers who were learning the rudiments of their
legal craft, Stow neatly describes them as Provinces, for they were
severally subject to one of the Inns of Court. Their relationship is
obscure. Mr. Inderwick[72] compares it to that which the smaller seaport
towns of the Kent and Sussex coast bore to the more important Cinque
Ports.
An Inn of Court appointed Readers for its Inns of Chancery, settled the
precedence of their Principals, admitted their members at a reduced fee,
and entertained their Ancients at grand feasts and festivals. Each Inn
of Chancery had its own Hall for meetings, moots, readings, and
festivity, but none could boast of a Chapel of its own. It was only
after having studied the necessary exercises at these ‘provincial’ Inns,
including boltings, moots, and putting of cases, that the young students
or apprentices were admitted as students at one of the four Inns of
Court.
Of the Inns of Chancery, Staple Inn and Barnard’s Inn were attached to
Gray’s Inn; Clifford’s Inn, Clement’s Inn, and Lyon’s Inn to the Inner
Temple; Furnival’s Inn and Thavie’s Inn to Lincoln’s Inn; and to the
Middle Temple, New Inn and Strand Inn.
Of these by far the most interesting and picturesque at the present time
is Staple Inn.
It was of this ‘little nook composed of two irregular quadrangles’ that
Dickens wrote in ‘Edwin Drood’:
‘It is one of those nooks, the turning into which out of the clashing
street imparts to the relieved pedestrian the sensation of having cotton
in his ears, and velvet soles on his boots. It is one of those nooks
where a few smoky sparrows twitter in smoky trees, as though they called
to one another: “Let us play at country,” and where a few feet of
garden-mould and a few yards of gravel enable them to do that refreshing
violence to their tiny understandings.’
Nothing could be more striking or delightful than the block of quaint
old buildings, with its overhanging stories of timber and rough-cast,
and its gabled roof. The preservation of this delightful specimen of
Elizabethan domestic architecture, which stands at Holborn Bars like an
island of art in an ocean of crude ugliness, we owe to the wisdom and
good taste of the Directors of the Prudential Assurance Company, to whom
the site now belongs. It is a pleasure to express one’s gratitude to
them.
Public-domain text, read in full here on John Shaqi.
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