The colours of angular pupæ attract our attention. Some are superbly tinted; they appear to be wrapped in silk and gold. Others have only spots of gold and silver on their belly or their back. All, however, have not this remarkable splendour, not these metallic spots. Some are green, yellow, and spotted with gold. Generally they are brown. Réaumur has shown that this golden colour is not due, as was thought for a long while, to colouring matter, but to a little whitish membrane, placed under the skin, which reflects the light through the thin outer pellicle, in such a manner as to produce the optical illusion which imparts to the robe of the chrysalis the golden hues of a princess in grand costume. _All is not gold that glitters_, Réaumur proves literally, in the case of chrysalis.[40] [40] The word is derived from [Greek: chrysos], golden; for that reason pupa is a better word than chrysalis, as this only strictly applies to a very small number; for the same reason aurelia is a bad word.--ED. Let us add that the chrysalis remains thus superbly dressed as long as it is tenanted, but loses its colour as soon as the butterfly has quitted it. The cone-shaped pupæ belong to the twilight and night-flying Lepidoptera, and to those butterflies whose caterpillars are onisciform, or in shape resembling a wood-louse. They are generally oval, rounded at the head, and more or less conical at the lower end. Their colour is generally of a uniform chestnut brown. What a mystery is that which is accomplished in the transition from the chrysalis to the perfect state! Those great changes from the larva state to that of the pupa, and from the pupa to that of the imago, are accomplished with such rapidity, that the phenomena were looked on as sudden metamorphoses, like those related in mythology. It has been thought also that there was in these changes from one state to another a sort of resurrection. There is here neither sudden metamorphosis, nor, as we will show, resurrection. In fact, the chrysalis is a living being; it indeed shows its vitality by exterior movements. Under the old skin of a caterpillar about to moult, under the envelope which is soon to be cast off, the new integuments are being prepared.