Again the pistol sent its message into the night, and again came the reply to tell how well and truly that message had been delivered. In the stillness, intense by sharp contrast, the sound of bare soles pattering upon the path outside stole to me. Two runners, I thought there were, so that four dacoits must have been upon our trail. The room was full of pungent smoke. I staggered to my feet as the gray figure with the revolver turned towards me. Something familiar there was in that long, gray garment, and now I perceived why I had thought so. It was my gray rain-coat. "Karamaneh," I whispered. And Smith, with difficulty, supporting himself upright, and holding fast to the ledge beside the door, muttered something hoarsely, which sounded like "God bless her!" The girl, trembling now, placed her hands upon my shoulders with that quaint, pathetic gesture peculiarly her own. "I followed you," she said. "Did you not know I should follow you? But I had to hide because of another who was following also. I had but just reached this place when I saw you running towards me." She broke off and turned to Smith. "This is your pistol," she said naively. "I found it in your bag. Will you please take it!" He took it without a word. Perhaps he could not trust himself to speak. "Now go. Hurry!" she said. "You are not safe yet." "But you?" I asked. "You have failed," she replied. "I must go back to him. There is no other way." Strangely sick at heart for a man who has just had a miraculous escape from death, I opened the door. Coatless, disheveled figures, my friend and I stepped out into the moonlight. Hideous under the pale rays lay the two dead men, their glazed eyes upcast to the peace of the blue heavens. Karamaneh had shot to kill, for both had bullets in their brains. If God ever planned a more complex nature than hers--a nature more tumultuous with conflicting passions, I cannot conceive of it. Yet her beauty was of the sweetest; and in some respects she had the heart of a child--this girl who could shoot so straight. "We must send the police to-night," said Smith. "Or the papers--" "Hurry," came the girl's voice commandingly from the darkness of the cottage. It was a singular situation. My very soul rebelled against it. But what could we do? "Tell us where we can communicate," began Smith. "Hurry. I shall be suspected. Do you want him to kill me!" We moved away. All was very still now, and the lights glimmered faintly ahead. Not a wisp of cloud brushed the moon's disk. "Good-night, Karamaneh," I whispered softly. CHAPTER XVIII TO pursue further the adventure on the marshes would be a task at once useless and thankless. In its actual and in its dramatic significance it concluded with our parting from Karamaneh. And in that parting I learned what Shakespeare meant by "Sweet Sorrow."