The instinct of workmanship, and the state of industrial artsVeblen, Thorstein
Philosophy
The instinct of workmanship, and the state of industrial arts
Veblen, Thorstein
Industrial arts -- History; Industries -- History; Technology -- History; Workmanship -- History
But even if it should be found, when the matter has been sifted, that
the genesis of ownership is of the latter kind, it would also in all
probability be found that among the peoples whose institutional growth
has a serious genetic bearing on the Western culture the holding of
property has, late or early, passed through a phase of predatory tenure
in which the distinction between ownership and mastery has so far
fallen into abeyance as to have had but a slight effect on the further
development. Where, as appears frequently to have been the case both in
Europe and elsewhere, the kingship and temporal power has arisen out of
the priestly office and spiritual power--or perhaps better where the
inchoate kingship was in its origins chiefly of a priestly complexion,
with a gradual shifting of kingly power and prerogative to a temporal
basis,[103]--there the transition from a creation of property and
mastery rights by priestly economies (fraud?) to a tenure of wealth
and authority by royal prerogative (force?) will have so blended
the two methods of genesis as to leave the attempt at a hard fast
discrimination between them somewhat idle.
But whatever may be conceived to have been the genesis of ownership,
the institution is commonly found, in the barbarian culture, to be
tempered with a large infusion of predatory concepts, of status,
prerogative, differential respect of persons and economic classes, and
a corresponding differential respect of occupations. Whether property
provokes to predation or predation initiates ownership, the situation
that results in early phases of the pecuniary culture is much the same;
and the causal relation in which this situation stands to the advance
in workmanship is also much the same. This relation between workmanship
and the pecuniary culture brought on with the advent of ownership is
a twofold one, or, perhaps better, it is a relation of mutual give
and take. The increase in industrial efficiency due to a sufficient
advance in the industrial arts gives rise to the ownership of property
and to pecuniary appreciations of men and things, occupations and
products, habits, customs, usages, observances, services and goods.
At the same time, since predation and warlike exploit are intimately
associated with the facts of ownership through its early history
(perhaps throughout its history), there results a marked accentuation
of the self-regarding sentiments; with the economically important
consequence that self-interest displaces the common good in men’s
ideals and aspirations. The animus entailed by predatory exploit is
one of self-interest, a seeking of one’s own advantage at the cost of
the enemy, which frequently, in the poetically ideal case, takes such
an extreme form as to prefer the enemy’s loss to one’s own gain. And
in the emulation which the predatory life and its distinctions of
wealth introduce into the community, the end of endeavour is likely
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