The instinct of workmanship, and the state of industrial artsVeblen, Thorstein
Philosophy
The instinct of workmanship, and the state of industrial arts
Veblen, Thorstein
Industrial arts -- History; Industries -- History; Technology -- History; Workmanship -- History
It is from peoples of this culture that the great religions of the
old world have come, near or remote, but it is not easy to find
any substantial contribution to human culture drawn indubitably
from this source apart from religious creed, cult and poetry. The
domestication of animals, for instance, is not due to them; with the
possible exception of the horse and the dog, that work had to be done
in peaceable, sedentary communities, from whom the pastoral nomads
will have taken over the stock and the industry and carried it out
on a scale and with cultural consequences which do not follow from
cattle-breeding under sedentary conditions. Their religion, on the
other hand, seems in no case to have been carried up to the consummate
stage of despotic monotheism during the nomadic-pastoral phase of their
experience, but to have been worked out to a finished product presently
after they had engaged on a career of conquest and had some protracted
experience of warfare and despotism on a relatively large scale. The
history of these great civilisations with pastoral antecedents appears
to run somewhat uniformly to the effect that they collapsed as soon as
they had eaten their host into a collapse. The incidents along the way
between their beginning in conquest and their collapse in exhaustion
are commonly no more edifying and of no more lasting significance
to human culture than those which have similarly marked the course
of the Turk. These great monarchies were organised by and for an
intrusive dynasty and ruling class, of pastoral antecedents, and they
drew their subsistence and their means of oppression from a subjugated
agricultural population. In the course of this further elaboration of
a predatory civilisation, the institutions proper to a large scale and
to a powerful despotism and nobility resting on a servile people, were
developed into a finished system; in which the final arbiter is always
irresponsible force and in which the all-pervading social relation is
personal subservience and personal authority. The mechanic arts make
little if any progress under such a discipline of personalities, even
the arts of war, and there is little if any evidence of sensible gain
in any branch of husbandry. There were great palaces and cities built
by slave labour and corvée, embodying untold misery in conspicuously
wasteful and tasteless show, and great monarchs whose boast it was that
they were each and several the best friend or nearest relative of some
irresponsible and supreme god, and whose dearest claim to pre-eminence
was that they “walked on the faces of the black-head race.” Seen
in perspective and rated in any terms that have a workmanlike
significance, these stupendous dynastic fabrics are as insignificant as
they are large, and none of them is worth the least of the fussy little
communities that came in time to make up the Hellenic world and its
petty squabbles.
Public-domain text, read in full here on John Shaqi.
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