The instinct of workmanship, and the state of industrial artsVeblen, Thorstein
Philosophy
The instinct of workmanship, and the state of industrial arts
Veblen, Thorstein
Industrial arts -- History; Industries -- History; Technology -- History; Workmanship -- History
Similarly, in the best days of scholastic learning scientific inquiry
ran back for a secure foundation to the authentic ordinances of the
Heavenly King; under the discipline of the era of handicraft it learned
instead to push its inquiries to the ground of efficient cause,
ultimately of course, in the philosophical liquidation of accounts in
that devout age, to the creative efficiency of the First Cause. In
the scientific inquiries of the earlier age the test of truth was the
test of authenticity, and the logic of systematisation by use of which
knowledge in that time was digested and stored away was essentially a
logic of subsumption under securely authentic categories that could
be run back at need to the ascertained requirements of the glory of
God. The canon of truth is that of the revealed word, reënforced and
filled out with the quasi-divine Aristotelian scheme of things. It is a
logic of hierarchical congruity in respect of potencies and qualities,
suggestively resembling the devolution of powers and dignities under
the finished scheme of feudalism. In the later age the good of man
gradually, insensibly supplants the glory of God as the ultimate ground
of systematisation. The sentimental ground of conviction comes to
be the recognised serviceability of the ascertained facts for human
use, rather than their conformity with the putative exigencies of a
self-centred divine will. The Providential Order that means so much in
the scheme of knowledge in the mature years of the era of handicraft is
an order imposed by a providentially beneficent Creator who looks to
the good of man; as it has been expressed, it is a scheme of “humanism.”
Public-domain text, read in full here on John Shaqi.
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