The instinct of workmanship, and the state of industrial artsVeblen, Thorstein
Philosophy
The instinct of workmanship, and the state of industrial arts
Veblen, Thorstein
Industrial arts -- History; Industries -- History; Technology -- History; Workmanship -- History
But through the centuries of its earlier growth the handicraft
industry, simply as a routine of workmanship, shaped the conditions of
life for the common people more pervasively and consistently than any
other one factor. Its discipline, therefore, was of protracted duration
and touched the current habits of thought in an intimate and enduring
fashion; so as to leave a large and enduring effect on the institutions
of the peoples among whom it prevailed. The English-speaking community
shows these effects in a larger measure and a more evident manner than
any other,--visible only in a less degree in the Low Countries, and
more equivocally in the Scandinavian countries. These peoples had not
been subjected to the handicraft discipline for a longer time or in a
more exacting fashion than their Continental neighbours, but they had
on the other hand escaped the full measure of the political activity of
the era of statemaking that did so much to neutralise the effects of
the handicraft system in the larger Continental countries.
* * * * *
Something has been said above of the way in which the discipline of
life under the rule of handicraft shaped and coloured men’s thinking
in those materialistic sciences whose early growth runs parallel with
the technological advance in modern times. It has also been evident
that this training in the manner of conceiving things for the purposes
of technology wrought certain broad changes in the theological and
philosophical conceptions that guided the inquiring spirits of the
same and subsequent generations. This effect wrought by the routine
of life under the handicraft system on scientific and philosophical
conceptions is of a very pervasive character, being of the nature of
an habitual bent, an attitude or frame of mind, whose characteristic
mark is the acceptance of creative workmanship as a finality. It became
an element of common sense in the apprehension of thoughtful men whose
frame of mind was formed under the traditions of that era that creative
workmanship is an ultimate, irreducible factor in the constitution of
things, accepted as a matter of course and used unsparingly and with
ever-growing conviction as a _terminus a quo_ and _ad quem_.[135]
Public-domain text, read in full here on John Shaqi.
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