The instinct of workmanship, and the state of industrial artsVeblen, Thorstein
Philosophy
The instinct of workmanship, and the state of industrial arts
Veblen, Thorstein
Industrial arts -- History; Industries -- History; Technology -- History; Workmanship -- History
Adam Smith consistently speaks of industry in terms of manual
workmanship, as the traditions and the continued habitual outlook of
that generation unavoidably led him to do; and the sweeping way in
which his interpretation of economic life finds acceptance with his
contemporaries shows that in so doing he is speaking in full consonance
with the prevailing conceptions of his time. He writes during the
opening passages of the machine era, but he speaks in terms of the past
industrial era, from which his outlook on the economic situation and
his conception of normal economic relations had been derived. It may
be added that his conception of natural liberty in economic matters
is similarly derived from the traditional situation, whose discipline
during the later phases of the handicraft era inculcated freedom of
ownership as applied to the workman’s product and freedom of bargain
and sale as touches the traffic of the typical petty trader. And so
thoroughly had this manner of conceiving industry and the economic
situation been worked into the texture of men’s thinking, that the
same line of interpretation continues to satisfy economic theory for a
hundred years after Adam Smith had formulated this canon of economic
doctrine, and after the situation to which it would apply had been put
out by the machine industry and large business management.
[125] The case of the treadle applied to the production of rotary
motion is typical of what happens to a technological element of the
general class here under discussion. Such a new technological expedient
appears at the outset to be apprehended in terms of manual workmanship;
but presently it comes, through habitual use, to take its place as a
mechanical functioning of the tools in whose use it takes effect,--to
be associated in current apprehension with the mechanical appliances
employed in its production and, by so much, dissociated from the person
of the workman. In a measure, therefore, it falls into the category of
impersonal facts that are available as technological raw material with
which to go about the work in hand. With further use, and particularly
with the interjection of further mechanical expedients between the
workman and this given technological element, it will be conceived in
progressively more objective fashion, as a fact of the mechanics of
brute matter rather than an extension of the workman’s manual reach;
until it passes finally into the category of mechanical fact simply,
obvious and commonplace through routine use; in which there remains but
a vanishing residue of imputed personality, such as attaches to all
conceptions of action. The given technological element in this way may
be said to pass by degrees out of the workman’s “quasi-personal fringe”
of manual effects, into the domain of raw material available for use
in workmanship; where it will, in apprehension, be possessed of only
such imputed quasi-personal or anthropomorphic characteristics as are
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