The instinct of workmanship, and the state of industrial artsVeblen, Thorstein
Philosophy
The instinct of workmanship, and the state of industrial arts
Veblen, Thorstein
Industrial arts -- History; Industries -- History; Technology -- History; Workmanship -- History
So that on many accounts it is evident that in the nature of things,
the care of flocks and crops is the women’s affair, and it follows
that all intercourse with the flocks and crops in the early days had
best be conducted by the women, who alone may be presumed intuitively
to apprehend what is timely, due and permissible in these premises.
It is all the more evident that communion with these wordless others
should fall to the women, since the like wordless communion with their
own young is perhaps the most notable and engaging trait of their
own motherhood. The parental bent also throws a stress of sentiment
on this simple and obvious phase of motherhood, such as has made
it in all men’s apprehension the type of all kindly and unselfish
tendance; at the same time this ubiquitous parental instinct tends
constantly to place motherhood in the foreground in all that concerns
the common good, in as much as all that is worth while, humanly
speaking, has its beginning here. In that early phase of culture in
which the beginnings of tillage and cattle-breeding were made and in
which the common good of the group was still the chief daily interest
about which men’s solicitude and forethought are habitually engaged,
motherhood will always have been the central fact in the scheme of
human things. So that in this cultural phase the parental bent and
the sense of workmanship will have worked together to bring the women
into the chief place in the technological scheme; and the sense of
imitative propriety, as well as the recognised constraining force
exercised by example and mimetic representation through the impulse of
imitation, will have guided workmanship shrewdly to play up womankind
and motherhood in an ever-growing scheme of magical observances
designed to further the natural increase of flocks and crops. Where
anthropomorphic imputation runs free and with conviction, such
observances, designed to act sympathetically on the natural course of
phenomena, unavoidably become an integral feature of the technological
scheme, no less indispensable and putatively no less efficacious to
this end than the mechanical operations with which these observances
are associated. There is no practicable line of division to be drawn
between sympathetic magic and anthropomorphic technology; and in
the known cultures of this early type it is for the most part an
open question whether the magical observances are to be accounted an
adjunct to what we would recognise as the technological routine of the
art, or conversely. The two are not commonly held apart as distinct
categories, and both are efficacious and indispensable; and in both the
felt efficacy runs on much the same grounds of imputed anthropomorphic
traits.[57]
Public-domain text, read in full here on John Shaqi.
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