The instinct of workmanship, and the state of industrial artsVeblen, Thorstein
Philosophy
The instinct of workmanship, and the state of industrial arts
Veblen, Thorstein
Industrial arts -- History; Industries -- History; Technology -- History; Workmanship -- History
The female divinities belong characteristically to the early or
simpler agricultural civilisation, and what has been said goes to
argue that they rest on technological grounds in the main; indeed, in
their genesis and early growth, they are in good part of the nature of
technological expedients. They are at home with the female technology
of early tillage especially, and perhaps only in the second place do
they serve the magical and religious needs of peoples given mainly to
breeding flocks and herds; although it is to be noted that most of the
greater known goddesses of the ancient Western world, as well as many
of the minor ones, are also found to be closely related to various
of the domestic animals. In America and the Far East, of course, any
connection with the domestication of animals would appear improbable.
With a change of base, from this early husbandry to a civilisation
in which the main habitual interest is of another kind, and in which
the habitual outlook of men is less closely limited by the same
anthropomorphic conceptions of nurture and growth, the goddesses begin
to lose their preferential claim on men’s regard and fall into place
as adjuncts or consorts of male divinities designed on other lines
and built out of different materials and serving new ends.[60] But
the hegemony of the mother goddesses has unquestionably been very
wide-reaching and very enduring, as it should be to answer to the
extent in time and space of the civilisation of tillage as well as to
its paramount importance in the life of mankind, and as it is shown to
have been by the archæological and ethnological evidence.
Public-domain text, read in full here on John Shaqi.
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