continental lines last autumn; a notable personage would have been in
the train if he had arrived in time for it, but his miscalculation saved
him. In matters where there is no risk of the loss of life, but only of
the waste of a portion of it in unprofitable employment, it frequently
happens that procrastination, which is reputed to be the thief of time,
becomes its best preserver. Suppose that you undertake an enterprise,
but defer the execution of it from day to day: it is quite possible that
in the interval some fact may accidentally come to your knowledge which
would cause a great modification of your plan, or even its complete
abandonment. Every thinking person is well aware that the enormous loss
of time caused by the friction of our legislative machinery has
preserved the country from a great deal of crude and ill-digested
legislation. Even Napoleon the Great who had a rapidity of conception
and of action so far surpassing that of other kings and commanders that
it seems to us almost supernatural, said that when you did not quite
know what ought to be done it was best to do nothing at all. One of the
most distinguished of living painters said exactly the same thing with
reference to the practice of his art, and added that very little time
would be needed for the actual execution of a picture if only the artist
knew beforehand how and where to lay the color. It so often happens
that mere activity is a waste of time, that people who have a morbid
habit of being busy are often terrible time-wasters, whilst, on the
contrary, those who are judiciously deliberate, and allow themselves
intervals of leisure, see the way before them in those intervals, and
save time by the accuracy of their calculations.
A largely intelligent thrift of time is necessary to all great
works--and many works are very great indeed relatively to the energies
of a single individual, which pass unperceived in the tumult of the
world. The advantages of calculating time are artistic as well as
economical. I think that, in this respect, magnificent as are the
cathedrals which the Gothic builders have left us, they committed an
artistic error in the very immensity of their plans. They do not appear
to have reflected that from the continual changes of fashion in
architecture, incongruous work would be sure to intrude itself before
their gigantic projects could be realized by the generations that were
to succeed them. For a work of that kind to possess artistic unity, it
ought to be completely realized within the space of forty years. How
great is the charm of those perfect edifices which, like the Sainte
Chapelle, are the realization of one sublime idea? And those changes in
national thought which have made the old cathedrals a jumble of
incongruous styles, have their parallel in the life of every individual
workman. We change from year to year, and any work which occupies us
for very long will be wanting in unity of manner.
Public-domain text, read in full here on John Shaqi.
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