If a corporation can be granted by the Legislature, with the privilege of selling pictures, or statuary, by lottery, every other branch of industry is as much entitled to such a privilege, or our laws are onesided and unjust. We would then see distributions of prizes from every quarter, until the whole mechanical and commercial interests of the country would be turned into Lotteries or Unions. Following the example of the Art-Union in this state, we have already advertised a "_Homestead Art-Union_," the grand prize of which is a "house and lot situated in Williamsburgh, which cost nearly $5,000." Subscribers are entitled to "an elegant and valuable engraving, which has heretofore sold at $7.50, (being $2.50 more than the price of subscription,) and superior in execution and elegance to any picture distributed in this manner." It has in its collection for distribution "ninety-nine elegant and costly oil paintings and engravings, richly framed in ornamental and plain gilt frames." All the difference between these Unions, seems to be in the fact that the "Homestead" has limited the number of tickets--certainly an improvement on the other, so far as the public interest is concerned. We may expect to hear very soon of _Bread and Meat Art-Unions_, when the whole community, for a very small outlay, may live like princes, and snap their fingers at haggard want. The tendency of these hotbed methods of cultivating an appreciation of art and of rewarding its professors, has been to discourage artists from any suitable efforts to provide instruction, upon a liberal scale, to those who are seeking for it. Indeed it takes from them the power to do so, by drawing away funds necessary to such an object, which, but for these grand schemes, would be likely to come into their hands. One has but to observe the motives which induce persons to subscribe to an Art-Union, to be convinced that the great majority do so for the sake of self-aggrandizement, that is, to have a chance of getting the works of our best artists for a mere tithe of their value, or in the language of the advertisements, "of obtaining a valuable return, for a small investment;" as they would buy any other lottery tickets: to make the most out of their money. But there are many who subscribe from nobler motives--real lovers of art, whose only object is to lend a helping hand to its interests, and to show a generous sympathy in the struggles and self-denying endeavors of all whose souls are so wrapt up in its pursuit that they scarcely arrive at the knowledge requisite to a charge of their own pecuniary and worldly affairs. This latter class of subscribers believe they are gratifying this genuine love of the beautiful and good, when they give annually their five dollars to an institution chartered for the express design of protecting and cherishing the interests of art, and of enlarging the field of its labors and usefulness among the people. These genuine _patrons_ give,