Maulear quivered with joy at the idea of occupying the room in which she he adored had slept, and it was with a kind of veneration that he took possession of it. The room was on the first story, in the right wing of the villa, and looked on a terrace covered with flowers, and communicating with all the rooms of the first floor. It was possible to reach, in two ways, the rooms of the first story--from the interior of the building, and from the exterior by this elegant terrace. But Maulear did not observe that night the situation of his room. The early days of March having been colder than those of February, after a strange season, which well-nigh had deposed winter from its throne, and the injury Aminta had received not having permitted her to leave her room, during his previous visits the Marquis had not examined the residence of Signora Rovero. The terrace on which his window opened was therefore completely unknown to him. For about two hours after Maulear had been conducted to the old room of Aminta by Signora Rovero, he was so agitated by the events of the evening that he could not consent to seek repose. Love, hope, and jealousy, disputed for the possession of his heart. Seated in a vast arm-chair, near the hearth, the fire on which flickered faintly, the eyes of Maulear were mechanically directed to one of the windows of his room, by the beating of the rain against it. All at once he saw, or thought he saw, a white figure on the other side of the window pause for a few instants, as if it sought to enter his room. Maulear fancied himself under the influence of a dream. He rubbed his eyes, to be sure that he was awake, and that his sight did not deceive him. He hurried towards the window and opened it hastily. But as he moved, and his steps were heard, the nocturnal visitor disappeared, and Maulear lost sight of it amid the shadows of night. For a moment he thought it some aerial being, flitting through space, and coming, like the _djinns_ of the East, to watch by night over the faithful believer. But his poetry gave way to material evidence, and the sight of the terrace, of whose existence he had had no suspicion, proved that the _djinn_ was really a human being, who for some unknown motive had wandered across it, and was by no means so unreal as he had supposed. The idea of crime and theft occurred to him. He was about to follow the person who fled, when he saw on the terrace, before his window, an object which he immediately picked up, and examined by the light of his lamp. It was a veil of white lace, at that time the ordinary dress of Neapolitan women, a vaporous cloud in which they framed their features, the relic of a fashion imported from France, and made illustrious by the pencil of our Irabey, the great portrayer of the grace and beauty of the empire.