The International Magazine, Volume 2, No. 2, January, 1851Various
History
The International Magazine, Volume 2, No. 2, January, 1851
Various
Art, Modern -- 19th century -- Periodicals; Literature, Modern -- 19th century -- Periodicals; Science -- History -- Periodicals
And Ashburner did find out before many nights, when the footsteps and
oaths of the young gamblers returning at four in the morning to their
rooms in the "Colony," woke him out of his first sleep. After the drive,
tea--still at the _table-d'hote_--and after tea, dressing for the ball,
which this night was at the Bellevue House, appropriately so called from
commanding a fine view of nothing. As the Bellevue was not a fashionable
hotel (although the guests were sufficiently fed there), some of the
exclusive ladies had hesitated about "assisting" on the occasion; but
the temptation of a dance was too strong to be resisted, and they all
ultimately went. Le Roi accompanied the Bensons in the all-accommodating
Rockaway. The Bellevue had a "colony," too, in the second story of which
was the ballroom. As they ascended the stairs, the lively notes of _La
Polka Sempiternelle, composee par Josef Bungel, et dediee a M. T.
Edwards_, reached their ears; and hardly were they over the threshold
when Edwards himself hopped up before them, and without other preface or
salutation than a familiar nod, threw his arm round Mrs. Benson's waist,
and swung her off in the dance; while Sumner, who had simultaneously
presented himself to Miss Vanderlyn, took similar possession of her.
"Do you dance?"
"No, I thank you."
While Benson asked the question, Le Roi dived at a girl and whirled her
away: almost before Ashburner had answered it, his friend shot away from
him, making point at a young married lady in the distance; and his bow
of recognition ended in the back-step of the polka, as the two went off
together at a killing pace. In five seconds from the time of entrance,
Ashburner was left standing alone at one end of the room, and his
companions were twirling at the other. For so habituated were the
dancers to their fascinating exercise, that they were always ready to go
at the word, like trained horses. And certainly the dancing was
beautiful. He had never seen gentlemen move so gracefully and
dexterously in a crowded room as these young Americans did. Le Roi and
Roewenberg, who, by virtue of their respective nationalities, were bound
to be good dancers, looked positively awkward alongside of the natives.
As to the ladies, they glided, and swam, and realized all the
so-often-talked-of-and-seldom-seen "poetry of motion." Indeed Ashburner
thought they did it too well. He thought of Catiline's friend,
commemorated by Sallust, who "danced better than became a modest woman."
He thought some of their displays were a little operatic, and that he
had seen something like them at certain balls in Paris--_not_ the balls
of the Faubourg St. Germain. He thought that the historian's aphorism
might be extended to the male part of the company,--and that they danced
better than became intelligent men. He thought--but as he prudently kept
thoughts to himself, and as some of his foreign prejudice may have been
at the bottom of them, we will not stop to record them all. By and by
Public-domain text, read in full here on John Shaqi.
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