The International Magazine, Volume 2, No. 2, January, 1851Various
History
The International Magazine, Volume 2, No. 2, January, 1851
Various
Art, Modern -- 19th century -- Periodicals; Literature, Modern -- 19th century -- Periodicals; Science -- History -- Periodicals
BARON STERNBERG, a dilettante book-maker of Germany, who generally
resides at Berlin, has just added a new romance, or rather the beginning
of one, to his previous publications. It bears the promising, if not
pretentious title, of _The German Gil Blas_ (published at Bremen), and
claims to be comic, as a matter of course. As a whole, the book is a
failure. Though there are passages here and there which may be read with
satisfaction, there is not enough unity and connection between the
different parts, and the humor is generally but a thin potation. It must
be said, however, that the absence of continuous interest is the fault
of most comic novels, as well as poems. Even the matchless works of Jean
Paul grow tedious by the endeavor to read much of them at a time, a fact
which may be ascribed to the sentimentality and mere fantastics with
which the kernels of his wit are overburdened. It is certain that no
German humorous work can be compared with those great originals in that
kind, Gil Blas and Don Quixote, or even with the much inferior works of
Smollett and Dickens. Baron Sternberg's last effort forms no exception
to this remark, and there is little hope that the second and concluding
volume, whose appearance in Germany ought to be made by this time, will
prove superior to the first. His "Royalists," an anti-democratic novel,
which he had the courage to publish in the chaos of 1848, and which
excited much attention, and a great deal of severe criticism, was far
better.
* * * * *
"THE NEW FAITH SOUGHT IN ART," is the title of an anonymous little book
lately issued at Paris, which, though not of great value, has more
poetic originality of thought than is often found in printed pages. The
author thinks that the time has gone by in which the subjects of art
could properly be sought in the lives of saints and legends of the
Church, and wishes to substitute for them the lives of artists and
celebrated inventors, who have sprung from the bosom of the people. With
this writer, every thing is democratic and popular. For him the people
is alone King, and worthy of all honor. "Nothing," he says in one place,
"is truer than the song of Beethoven. It is the song of life, the voice
of truth, an infallible voice, which will create a world, and cause the
old false world to crumble. Born of the people, the people sing in him,
although they know him not." In painting, the heroes of the author are
Ruysdael, Rembrandt, Claude-Lorraine, and Paul Potter.
* * * * *
The Poet FREILIGRATH has received orders to leave the village of Bilk,
in the neighborhood of Dusseldorf; where he was residing, and to quit
the Prussian territories. He will probably go back to England, where he
passed some time in a counting-house or perhaps come to the United
States, where he has several friends, to whom he has written of such an
event as possible.
* * * * *
Public-domain text, read in full here on John Shaqi.
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