The cheapness of good books and good editions is one of the wonders of our time. American publishers have done much toward bringing literature into the homes of the poor, but the cheap books manufactured in this country have, for the most part, been badly printed, and in every respect so wretchedly put together, that they were hardly worth preserving after a first reading. The English are now competing vigorously for the popular market here, and mainly, through the house of Bangs & Brother of this city. Bohn and other great London publishers are supplying us with well printed, well bound, and excellently illustrated books, at prices altogether lower than those for which the American manufacturers have offered or can afford them. To sell such a book as _Lodge's Portrait Gallery_, in eight volumes, with all its finely engraved heads, for ten dollars, one must have the world for a market; and so with the long list of important writings in the compactly but correctly and elegantly printed volumes of Bohn's Standard Library--the best and cheapest popular series ever issued in any country. * * * * * Many very correct writers are very poor authors, and there are abundance of good books with imperfect rhetoric; yet we have a right to ask some attention to the details of style in a literary critic. Professor Henry Reed has a delicate appreciation in poetry, but his remarks are nearly always marred by verbal infelicities incompatible with a knowledge of literary art. Thus, within a few pages of his Memoir of Gray, just published, he says of Jacob Bryant, who has been dead a century, that "he _has_ recorded;" that "Gray retained a high admiration of Dryden's poetry, _as_ was strongly expressed," &c.; that an ode published in 1747, "being the first publication _of_ his English verse" (meaning his first publication in English verse); that Gray could not "break through the circumspection of so contracted a system of metaphysics _as that of Locke's_;" that "it is apparent from what Gray _has_ done" (as if Gray were now living, or present), &c. &c. &c. &c. &c., all through every thing he publishes. Such things in a professor of mathematics would attract no attention, but they will be observed in a "Professor of English Literature." * * * * *