The International Magazine, Volume 2, No. 3, February, 1851Various
History
The International Magazine, Volume 2, No. 3, February, 1851
Various
Art, Modern -- 19th century -- Periodicals; Literature, Modern -- 19th century -- Periodicals; Science -- History -- Periodicals
and that safety does not depend on the battlements and armaments of that
stern old tower of other days, which stands surrounded with the
memorials and memories of imperial Rome.
In one of the darkest of these cells the poor girl had been thrown.
When the door was opened gently, we saw what seemed to be a heap of
clothes piled together in one corner; but the light from a small lamp
suspended from the ceiling was so weak that it was quite impossible to
distinguish any object distinctly. The cell, as far as I could judge
from a hasty glance, resembled those abodes of misery which have been so
frequently described, and which it would require the energies of ten
Howards to improve. There was a disagreeable, close, damp smell; the
pavement of the floor was sadly out of repair; there was a bracket
placed against the wall, with a few necessary articles of furniture for
ordinary use; but when my eyes became more accustomed to the light, I
discovered that what had appeared a mere heap of clothes was the poor
girl, almost rolled up in the corner. For some moments she continued to
lie there, apparently quite insensible; but at last, with a sharp cry,
she raised her head suddenly, and then I could not mistake the beautiful
countenance that had so struck me on that morning. But, sad to say, even
these few hours had made great ravages: sorrow, anxiety, and misery are
the most zealous accessories of age. She really looked years older: this
might have been partly the effect of the lurid, flickering light, and
the disorder of her dress; but sure I am that no one could have
recognized the haughty, dignified, imposing woman, who but a few hours
since had swept almost contemptuously through the streets.
"You are come to accuse me," she exclaimed, falling with both her hands
on the pavement, and striking it with violence; "now you come to accuse
me. It is like a Christian," she continued, with increased bitterness in
her voice and vehemence in her action. And then she sobbed violently,
and looked into my face with a piteous expression.
The police prevented the necessity of my reply, for one of the men
seized her at once by the arm, and dragged her up rudely, desiring her
to stand. And she did stand there--a picture of utter prostration,
mental and physical, to have melted any heart, save the stony, arid ones
of those men who were with me. Stand alone she could not, but she leaned
against the wall, and her head fell on her shoulder, her fingers were
intertwined together, and she moved them about with a kind of galvanic
agitation. All the anger and impetuosity of her character had passed
away: she was no longer the ideal of ruined greatness, but the simple,
broken-hearted woman. Violence in a woman is at all times so painful to
witness, even in moments of extreme sorrow, that it rather offends than
interests.
"You know this woman?" said the abrupt, uncouth examiner, in a voice
which echoed to the vaulted roof.
Public-domain text, read in full here on John Shaqi.
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