The International Magazine, Volume 2, No. 3, February, 1851Various
History
The International Magazine, Volume 2, No. 3, February, 1851
Various
Art, Modern -- 19th century -- Periodicals; Literature, Modern -- 19th century -- Periodicals; Science -- History -- Periodicals
In these discourses he says: "The carpenter is the actual model; for
like him the discourser cuts and fits his timber according to rules the
grounds of which it concerns not him to understand, with little labor
beyond that of hacking and hewing--materials being ever ready at his
hand: for the world is full of books as the forest is of trees and the
market of lumber. And this is done to instruct us; to build us up
inwardly; to administer food to our intellect; to nourish our souls; to
kindle the imagination and awaken to energetic action the living but
slumbering world within. But, alas! this inner world cannot be kindled
like a smouldering fire, by a basket of chips and a puff of wind! This
inner world is a world of spirits, which feed on thoughts full of truth
and living energy. And thought alone can kindle thought: and truth alone
can waken truth: not veracity, not fact, but truth vital,
'Truth that wakes
To perish never.'
This is the bread for which the soul is pining, and such are the husks
with which its calls are answered."
There is in this statement of the predominant character of our popular
lectures much that is true, as we could easily show by a definite
examination of the most popular discourses to which our audiences
listen. Every one can see that their aim is, not to announce great
truths, which are essential to the well-being of society, and the
instruction of the soul, but so to shape their sentences, so to point
their paragraphs, and to give such a turn to their expressions, as to
tickle most effectually the fancy of those who hear them, and to call
down that round of applause which tells them they have made a _hit_. Now
just so far as this is the case, popular lecturing not only seeks to
supply the place of the theatre, but actually becomes theatrical; and
lacking the essential worth and dignity of the drama, assumes its tricks
and shallow vanities.
Nevertheless, the author whom we have quoted sees in this fashion signs
of promise, for it signifies the existence and the struggling toward the
light, of the absolute want of the soul--which will soon rectify the
public taste, and teach men that pleasure lies only in the life-giving
and the true.
Public-domain text, read in full here on John Shaqi.
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