The International Magazine, Volume 2, No. 3, February, 1851Various
History
The International Magazine, Volume 2, No. 3, February, 1851
Various
Art, Modern -- 19th century -- Periodicals; Literature, Modern -- 19th century -- Periodicals; Science -- History -- Periodicals
"Our fathers were less fortunate than ourselves in this respect. Their
dilemma was fearful. The law took no account of those delicate injuries
under which sensitive honor pines, though no bruise or wound appears to
indicate the mischief; and, in self-defence, refinement set up the
bloodiest code brutality under the guise of chivalry could imagine or
invent. A quiet gentleman, sitting from morning till night in his
library, interfering with the pleasures and pursuits of none, amiable in
every relation of life, a stanch friend, a fond husband, a devoted
father, as useful a member of society as you might find in a day's
journey, and obnoxious only to political opponents, who fear him more
than he dislikes them, is called a 'liar,' a 'coward,' and a 'heartless
ruffian.' He is nothing of the kind; he is proudly conscious of this
fact; his accusers do not even believe it; the world--that portion of it
in which he moves--is satisfied that he is a remarkable instance of
truth, of courage, and extreme tenderness of spirit. The revilers have
made a great mistake or committed a disgraceful outrage. In either case,
since they are not amenable to law, you would think they might safely be
left to acquire better information and improve their manners. Not a bit
of it. The quiet gentleman's enemies have aimed a blow at his
reputation. They are good shots--which unfortunately he is not--and now
they must aim another at his life; society 'allows it,' and society
'awards it.' The quiet gentleman makes his will, kisses his children,
shuts up his books, sighs, and 'goes out.' The quiet gentleman is
killed; a million men could not restore the life one man has taken.
Society is distressed beyond expression; so is the murderer, who is all
sorrow and tenderness for the departed. There is general weeping, and
great unavailing regret, and much commiseration for the widow: and then
a mock trial, and no end of speechifying, beautiful remorse on the part
of the survivor, lovelier tributes to the memory of deceased, a verdict
of not guilty, and a dismissal of the murderer and his accomplices into
the world, which is worthy of them as they are worthy of it. The picture
represents a common event of the time of George the Third. Let us
confess that, degenerate as we are, we have changed, in some respects,
for the better since those 'good old days!'"
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account