The International Magazine, Volume 4, No. 5, December 1851Various
History
The International Magazine, Volume 4, No. 5, December 1851
Various
Art, Modern -- 19th century -- Periodicals; Literature, Modern -- 19th century -- Periodicals; Science -- History -- Periodicals
Having, with Antoine's assistance, unpacked and arranged my wardrobe,
I proceeded to dress for dinner, and my operations were scarcely
concluded ere he knocked at my door and announced that it was served.
I immediately followed him down stairs to a spacious and well-lighted
_salon_, where my friend awaited me. The repast to which we sat down
gave me a very exalted opinion of the _savoir faire_ of my friend's
_chef_. There was no _rosbif_, no _plomboudin_, no clumsy attempt
at imitation of the English _cuisine_, out of compliment to me; all
was French, and all was perfect--the soup pure and restoring--the
_côtellettes magnifiques_, and the _vol au vent superbe_. The Champagne
was _frappé_ to the minute, the Chambertin shed its _bouquet_, and the
Bordeaux of rare quality. Mine host ate and drank sparingly, but he did
the honors of his table in a manner so courteous, yet so jovial withal,
that our dinner was a protracted one, and it was late ere we retired
to coffee in his library, an oblong room of noble dimensions, and so
furnished that it would have been called comfortable even in England,
and elegant every where. The sides were covered with bookcases, whose
shelves contained the best German, French, and Italian authors, and
a much larger assortment of English works than is usually found in a
foreigner's collection. The ends were hung with some choice specimens
of the old masters, and one or two of the modern French school, whilst
here and there on marble tables, or pedestals, stood some exquisite
pieces of sculpture, which showed to the greatest advantage under
the soft light of three lamps of the purest alabaster, which hung
suspended from the ceiling; in short, the aspect of the whole apartment
proclaimed the owner to be a man of wealth, taste and literature.
Amongst the pictures, I observed that a large one, which hung alone
over the mantlepiece, was covered by a black crape veil or curtain.
This, of course, excited my curiosity; but as my friend, in describing
the others, never in any way alluded to it, I felt that inquiry was
impossible. In fact, he always contrived, or appeared to contrive, to
divert my attention when he perceived me looking in that direction.
Public-domain text, read in full here on John Shaqi.
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