The International Magazine, Volume 4, No. 5, December 1851Various
History
The International Magazine, Volume 4, No. 5, December 1851
Various
Art, Modern -- 19th century -- Periodicals; Literature, Modern -- 19th century -- Periodicals; Science -- History -- Periodicals
Thus saying, the Count opened the door, and conducted his sister with
formal politeness to her carriage. He then returned, reseated himself,
and mused in silence. As he did so, the muscles of his countenance
relaxed. The levity of the Frenchman fled from his visage, and in
his eye, as it gazed abstractedly into space, there was that steady
depth so remarkable in the old portraits of Florentine diplomatist or
Venetian oligarch. Thus seen, there was in that face, despite all its
beauty, something that would have awed back even the fond gaze of love;
something hard, collected, inscrutable, remorseless; but this change
of countenance did not last long. Evidently thought, though intense
for the moment, was not habitual to the man. Evidently he had lived
the life which takes all things lightly--so he rose with a look of
fatigue, shook and stretched himself, as if to cast off, or grow out
of, an unwelcome and irksome mood. An hour afterwards, the Count of
Peschiera was charming all eyes, and pleasing all ears, in the saloon
of a high-born beauty, whose acquaintance he had made at Vienna, and
whose charms, according to that old and never-truth-speaking oracle,
Polite Scandal, were now said to have attracted to London the brilliant
foreigner.
CHAPTER III.
The Marchesa regained her house, which was in Curzon street, and
withdrew to her own room, to readjust her dress, and remove from her
countenance all traces of the tears she had shed.
Half-an-hour afterwards she was seated in her drawing-room, composed
and calm; nor, seeing her then, could you have guessed that she was
capable of so much emotion and so much weakness. In that stately
exterior, in that quiet attitude, in that elaborate and finished
elegance which comes alike from the arts of the toilet and the
conventional repose of rank, you could see but the woman of the world
and the great lady.
Public-domain text, read in full here on John Shaqi.
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