"Can this be my Jenny?" cries poor Amelia, who runs forward to meet her old friend, and finds a pompous, frigid-looking personage in an enormous hoop, the very pink of the fashion; to which Mrs. James answers, "Madam, I believe I have done what was genteel," and wonders how any mortal can live up three pair of stairs. "Is there," says the enthusiastic for the first time in her life, "so delightful a sight in the world as the four honors in one's own hand, unless it be the three natural aces at brag?" Can comedy be finer than this? Has not every person some Matthews and James in their acquaintance--one all passion, and the other all indifference and vapid self-complacency? James, the good-natured fellow, with passions and without principles: Bath, with his magnificent notions of throat-cutting and the Christian religion, what admirable knowledge of the world do all these characters display: what good moral may be drawn from them by those who will take the trouble to think! This, however, is not a task that the generality of novel-readers are disposed to take upon them, and prefer that their favorite works should contain as little reflection as possible; indeed, it is very probable that Mrs. James, or Miss Matthews might read their own characters as here described, and pronounce such writing vastly low and unnatural. But what is especially worthy of remark is the masterly manner in which the author paints the good part of those equivocal characters that he brings upon his stage: James has his generosity, and his silly wife her good nature; Matthews her starts of kindness; and Old Bath, in his sister's dressing-gown, cooking possets for her, is really an amiable object, whom we like while we laugh at him. A great deal of tenderness and love goes along with this kind of laughter, and it was this mixed feeling that our author liked so to indulge himself in, and knew so well how to excite in others. Whenever he has to relate an action of benevolence, honest Fielding kindles as he writes it: some writers of fiction have been accused of falling in a passion with their bad characters: these our author treats with a philosophic calmness: it is when he comes to the good that he grows enthusiastic: you fancy that you see the tears in his manly eyes; nor does he care to disguise any of the affectionate sympathies of his great, simple heart. This is a defect in art perhaps, but a very charming one. For further particulars of Fielding's life, we recommend the reader to consult Mr. Roscoe's biography. Indeed, as much as any of his romances, his own history illustrates the maxim we have just quoted from Amelia.