The International Monthly Magazine - Volume V - No IIVarious
History
The International Monthly Magazine - Volume V - No II
Various
Art, Modern -- 19th century -- Periodicals; Literature, Modern -- 19th century -- Periodicals; Science -- History -- Periodicals
He took the key, opened the massive oak door, and entered the hall,
pronouncing the words, "With the help of God." His three attendants, whose
curiosity overcame their fears, or who, perhaps, were ashamed to desert
their sovereign, followed him. The hall was lighted by an innumerable
number of torches. A black hanging had replaced the old tapestry. The
benches round the hall were occupied by a multitude, all dressed in black;
their faces were so dazzlingly bright that the four spectators of this
scene were unable to distinguish one amongst them. On an elevated throne,
from which the king was accustomed to address the assembly, sat a bloody
corpse, as if wounded in several parts, and covered with the ensigns of
royalty; on his right stood a child, a crown on his head, and a sceptre in
his hand; at his left an old man leant on the throne; he was dressed in
the mantle formerly worn by the administrators of Sweden, before it became
a kingdom under Gustavus Vasa. Before the throne were seated several
grave, austere looking personages, in long black robes. Between the throne
and the benches of the assembly was a block covered with black crape; an
axe lay beside it. No one in the vast assembly appeared conscious of the
presence of Charles and his companions. On their entrance they heard
nothing but a confused murmur, in which they could distinguish no words.
Then the most venerable of the judges in the black robes, he who seemed to
be their president, rose, and struck his hand five times on a folio volume
which lay open before him. Immediately there was a profound silence, and
some young men, richly dressed, their hands tied behind their backs,
entered the hall by a door opposite to that which Charles had opened. He
who walked first, and who appeared the most important of the prisoners,
stopped in the middle of the hall, before the block, which he looked at
with supreme contempt. At the same time the corpse on the throne trembled
convulsively, and a crimson stream flowed from his wounds. The young man
knelt down, laid his head on the block, the axe glittered in the air for a
moment, descended on the block, the head railed over the marble pavement,
and reached the feet of the king, and stained his slipper with blood.
Until this moment surprise had kept Charles silent, but this horrible
spectacle roused him, and advancing two or three steps towards the throne,
he boldly addressed the figure on its left in the well-known formulary,
"If thou art of God, speak; if of the other, leave us in peace."
Public-domain text, read in full here on John Shaqi.
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