David Longworth’s name is a good deal blended with the progress of American literature during years gone by. He was by birth a New Jerseyman; and the publication of his _City Directory_, for some thirty or more years, gave him sufficient notoriety; while his Shaksperean Gallery introduced him to many of the cultivators of the fine arts, at a period, when Trumbull and Jarvis were our prominent painters. Longworth had been brought up as a printer, at a daily press, but he seems early to have got a taste for copper-plate engraving, accurate printing, and elegant binding. With determined energy he issued an edition of Telemachus, which, for beauty of typography and paper, was looked upon, by the lovers of choice books, as a rich specimen of our art. His _Belles-Lettres Repository_ no less evinced his taste in the _elegantiæ literarum_. He was, nevertheless, a man of many strange notions. It is well known that about the commencement of the eighteenth century, in our English books, printed in the mother country, the substantive words were almost always begun with a capital; the like practice obtained in many newspapers; but Longworth, not content with the partial change which time had brought about, of sinking these prominent and advantageous upper case type, waged a war of extermination against almost every capital in the case, and this curious deformity is found in many of his publications, as _british america_, and _london docks_. Even in poetry, of the first word, he tolerated only small letters at the beginning of the lines. His practice, however, found no imitators, though ’tis said that it first began in Paris. His bookstore, at a central situation by the Park, with works of taste classically displayed, afforded an admirable lounge for the litterateurs of that day. Here, when Hodgkinson, and Hallam, and Cooper, and Cooke were at the zenith of their histrionic career in the Park Theatre, adjacent, might be seen a group of poets and prose writers, who, in their generation, added to the original off-spring of the American press—Brockden Brown, Dunlap, Verplanck, Paulding Fessenden, Richard Alsop, Peter Irving, and the now universally famed Washington Irving.