The International Monthly Magazine - Volume V - No IIVarious
History
The International Monthly Magazine - Volume V - No II
Various
Art, Modern -- 19th century -- Periodicals; Literature, Modern -- 19th century -- Periodicals; Science -- History -- Periodicals
The good woman had risen thus early (for as yet it was scarcely sunrise),
in order to set about making a scarecrow, which she intended to put in the
middle of her corn patch. It was now the latter week of May, and the crows
and blackbirds had already discovered the little, green, rolled-up leaf of
the Indian corn, just peeping out of the soil. She was determined,
therefore, to contrive as lifelike a scarecrow as ever was seen, and to
finish it immediately, from top to toe, so that it should begin its
sentinel’s duty that very morning. Now, mother Rigby (as every body must
have heard) was one of the most cunning and potent witches in New England,
and might, with very little trouble, have made a scarecrow ugly enough to
frighten the minister himself. But, on this occasion, as she had awakened
in an uncommonly pleasant humor, and was further dulcified by her pipe of
tobacco, she resolved to produce something fine, beautiful, and splendid,
rather than hideous and horrible.
"I don’t want to set up a hobgoblin in my own corn-patch, and almost at my
own doorstep," said Mother Rigby to herself, puffing out a whiff of smoke;
"I could do it if I pleased; but I’m tired of doing marvellous things, and
so I’ll keep within the bounds of everyday business, just for variety’s
sake. Besides, there is no use in scaring the little children, for a mile
roundabout, though ’tis true I’m a witch!"
It was settled, therefore, in her own mind, that the scarecrow should
represent a fine gentleman of the period, so far as the materials at hand
would allow. Perhaps it may be as well to enumerate the chief of the
articles that went to the composition of this figure.
The most important item of all, probably, although it made so little show,
was a certain broomstick, on which Mother Rigby had taken many an airy
gallop at midnight, and which now served the scarecrow by way of a spinal
column, or, as the unlearned phrase it, a backbone. One of its arms was a
disabled flail which used to be wielded by Goodman Rigby, before his
spouse worried him out of this troublesome world; the other, if I mistake
not, was composed of the pudding-stick and a broken rung of a chair, tied
loosely together at the elbow. As for its legs, the right was a
hoe-handle, and the left an undistinguished and miscellaneous stick from
the wood pile. Its lungs, stomach, and other affairs of that kind, were
nothing better than a meal bag, stuffed with straw. Thus, we have made out
the skeleton and entire corporcity of the scarecrow, with the exception of
its head; and this was admirably supplied by a somewhat withered and
shrivelled pumpkin, in which Mother Rigby cut two holes for the eyes and a
slit for the mouth, leaving a bluish-colored knob in the middle, to pass
for a nose. It was really quite a respectable face.
"I’ve seen worse ones on human shoulders, at any rate," said Mother Rigby.
"And many a fine gentleman has a pumpkin head, as well as my scarecrow!"
Public-domain text, read in full here on John Shaqi.
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