The International Monthly, Volume 2, No. 4, March, 1851Various
History
The International Monthly, Volume 2, No. 4, March, 1851
Various
Art, Modern -- 19th century -- Periodicals; Literature, Modern -- 19th century -- Periodicals; Science -- History -- Periodicals
go to the counting-house, as he was "very busy." He did not, however,
make much progress with his business that day, as somehow or other he
fell into a reverie over every thing he attempted.
Nothing could exceed the regularity of the lovers' correspondence for
the first two or three months, while their letters were written on the
largest orthodox sheets to be had from the stationer's--post-office
regulations in those days not admitting of the volumes of little notes
now so much in vogue. At last Emily bethought herself of working a purse
for Philip, in acknowledgment of a locket he had lately sent her from
London. Generally speaking, Emily was not very fond of work; but somehow
or other no occupation, not even the perusal of a favorite poem or
novel, had ever afforded her half the pleasure that she derived from the
manufacture of this purse. Each stitch she netted, each bead she strung,
was a new source of delight--for she was working for Philip. Love is the
true magic of life, effecting more strange metamorphoses than ever did
the spells of Archimago, or the arts of Armida--the moral alchemy which
can transmute the basest things into the most precious. It is true of
all circumstances, as well as of personal qualities, that
"Things base and vile, holding no quantity,
Love can transpose to form and dignity."
The purse was quickly finished, and dispatched to Philip, together with
a letter. Emily was in high spirits at the prospect of the answer. She
danced about the house, singing snatches of songs and ballads, and
displaying an unusual amount of gayety; for, though generally cheerful,
she was of too thoughtful a disposition to be often merry. Philip, she
was sure, would write by return of post. How she wished the time were
come! She knew pretty well, to be sure, what he would say; but what did
that signify? She longed to feast her eyes on the words his hand had
traced, and to fancy the tones and the looks which would have
accompanied them had they been spoken instead of written. The expected
day came at last, but the post-bag contained no letter for Emily. At
first she could hardly believe it; her countenance fell, and for a few
minutes she seemed much disappointed; but never mind, the letter would
come to-morrow, and she soon began to trip about and to sing almost as
gayly as before. But another day passed, and another and another, and
still no letter! Poor Emily's blithe voice was mute now, and her light
step rarely heard. Sometimes she tried to read, or to play on the piano,
but without much success; while her anxious looks, and the tear which
occasionally might be seen to glisten in her eye, betrayed the trouble
within. A whole week elapsed, a longer period than had ever passed
before without a letter from Philip Hayforth--a fortnight--a month--and
the poor girl's appetite failed, her nights were sleepless, and her
drooping figure and pining looks told of that anxious suffering, that
Public-domain text, read in full here on John Shaqi.
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