Emily watched it as it rose, listened to it as it sang. Its upward flight seemed to carry her spirit above the dark things on which it brooded; its thrilling voice to waken her to cheerful life again. There is a high holiness in a lark's song; and hard must be the heart, and strong and corrupt, that does not raise the voice and join with it in its praise to God. When she went down again into the drawing-room, she was quite a different being, and Mrs. Hazleton marvelled what could have happened so to change her. Had she been told that it was a lark's song, she would have laughed the speaker to scorn. She was not one to feel it. I will not pause upon the journey of the morning, nor describe the beautiful fall of the river that they visited, or tell how it fell rushing over the precipice, or how the rocks dashed it into diamond sparkles, or how rainbows bannered the conflict of the waters, and boughs waved over the struggling stream like plumes. It was a sweet and pleasant sight, and full of meditation; and Mrs. Hazleton, judging perhaps of others by herself, imagined that it would produce in the mind of Emily those softening influences which teach the heart to yield readily to the harder things of life. There is, perhaps, not a more beautiful, nor a more frequently applicable allegory than that of the famous Amreeta Cup--I know not whether devised by Southey, or borrowed by him from the rich store of instructive fable hidden in oriental tradition. It is long, long, since I read it; but yet every word is remembered whenever I see the different effect which scenes, circumstances, and events produce upon different characters. It is shown by the poet that the cup of divine wine gave life and immortality, and excellence superhuman, and bliss beyond belief, to the pure heart; but to the dark, earthly, and evil, brought death, destruction, and despair. We may extend the lesson a little, and see in the Amreeta wine, the spirit of God pervading all his works, but producing in those who see and taste an effect, for good or evil, according to the nature of the recipient. The strong, powerful, self-willed, passionate character of Mrs. Hazleton, found, in the calm meditative fall of the cataract, in the ever shifting play of the wild waters, and in the watchful stillness of the air around, a softening, enfeebling influence. The gentle character of Emily turned from the scene with a heart raised rather than depressed, a spirit better prepared to combat with evil and with sorrow, full of love and trust in God, and a confidence strong beyond the strength of this world. There is a voice of prophecy in waterfalls, and mountains, and lakes, and streams, and sunny lands, and clouds, and storms, and bright sunsets, and the face of nature every where, which tells the destiny, not of one, but of many, and at all events, foreshows the unutterable mercy reserved for those who trust. It is a prophecy--and an exhortation too. The words