The International Monthly, Volume 3, No. 1, April, 1851Various
History
The International Monthly, Volume 3, No. 1, April, 1851
Various
Art, Modern -- 19th century -- Periodicals; Literature, Modern -- 19th century -- Periodicals; Science -- History -- Periodicals
Bowing to them with that noble dignity which he never laid aside, he
bade the man who had accompanied him to take a torch and lead the way.
Monte-Leone descended the mountain at Frepinond, and regained the
carriage that waited for him, in which he proceeded to the Eternal City.
Wounded at what, when he remembered how much he had done, seemed
ingratitude, he said to himself, "Henceforth Monte-Leone commands--he
cannot obey."
About evening, on the night after the _Venta_ at San Paola, the Count
got out of his carriage, and, as his sadness increased as he left
Naples, sought to revive himself by walking. He walked through
Ferentino, a little town of the Roman States, and as he passed by the
church he heard the sound of the organ. Monte-Leone had a heart piously
inclined, and the sentiment of religion was always aroused by the sight
of the church. He went into the church, which was brilliantly lighted. A
few of the faithful here and there prayed; the half tints of the light
on the walls giving them the appearance of statues on tombs. Before the
principal altar two persons knelt. A priest was about to unite their
fate. Monte-Leone approached the altar, but the seclusion of the
position of the couple as they bent to the ground before the priest, who
was blessing them, made it impossible for him to distinguish their
features. A strange curiosity took possession of him, for this was
evidently no ordinary village marriage. The rich dress of the young
woman, the noble air of the young man to whom she was about to be
married, all announced one of those secret unions not contracted beneath
the vaulted arches of a cathedral, but in the oratory of some palace, or
the chapel of some secluded hamlet. The ceremony was over, and the newly
married couple left the altar and walked down the nave to the door of
the church of Ferentino, where a magnificent carriage was waiting. Just
as they were about leaving the church, the bride lifted up her veil and
saw a man standing near the vase of holy water. The light of the lamp
fell directly on his face. The young woman, astonished, trembling and
confused, felt her strength give way, and could scarcely suppress an
exclamation of agony. She saw Count Monte-Leone. He also had recognized
in the bridegroom the Duke of Palma, minister of police of Naples. In
the new duchess he had also recognized the primadonna of San Carlo da
Felina. Thus the two angels, which in his ecstatic vision at his
father's tomb the Count had seen, and who appeared to contend for
him--Aminta and La Felina--the two women, one of whom he adored, while
he was himself adored by the other, were no longer free. Aminta had
married from duty, La Felina from reason.
II.--THE FATHER.
Public-domain text, read in full here on John Shaqi.
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