The International Monthly, Volume 3, No. 1, April, 1851Various
History
The International Monthly, Volume 3, No. 1, April, 1851
Various
Art, Modern -- 19th century -- Periodicals; Literature, Modern -- 19th century -- Periodicals; Science -- History -- Periodicals
One morning, about ten o'clock, he had left her to go to the French
embassy, whither he was called by important business. The young Marquise
had gone into the garden of Cellamare, and sat beneath an arbor of
jasmin, reading her favorite poet Tasso. Love of Maulear now interpreted
these passionate mysteries, which hitherto she had not understood. Her
soul, illumined by the flame enkindled in it, did not admire, as it
formerly did, the form and gentle harmony of the poem alone. The meaning
of the verses touched her heart, and she seemed for the first time to
open this book, which is so filled with burning inspirations. The
tenderness of Maulear had begun to dissipate the sad presentiments which
had so long agitated her: she felt arising in her a gentle return of
that deep affection she had inspired; and though she had been alone but
two hours, it seemed to her that the Marquis had been absent a much
longer time. Looking in the direction she expected Henri to come, she
examined the burning horizon beyond the avenue of plane-trees beneath
which she sat, until she saw a human form coming down it. The person who
advanced walked slowly, and looked around him carefully, as if he was in
search of something. For a while he examined curiously the hedge on the
principal alley; nor, until he stood within a few paces of Aminta, did
he see that this white figure was a woman; its graceful immobility
having made him fancy it a statue. The stranger bowed to her politely as
possible, and spoke to her with an air half way between respect and
familiarity, impertinence and consideration. Aminta arose and recognized
him, and as she did so, exhibiting a constraint and embarrassment she
could not account for. The person who had spoken to Aminta was dressed
so strangely, that the young woman was struck by it. Having been
accustomed to all the fashions of the epoch, to the elegance of the
young men who visited her mother's house, to the good taste of the
Marquis de Maulear, she had never seen such a costume as that of the
stranger. A coat of Prussian blue, with a straight collar and large wide
skirts, enveloped a thin, delicate frame. A waistcoat of white silk, cut
square in front, with two immense pockets, from one of which hung a
watch, with an immense chain and multitude of seals, beating against
breeches of buff cassimer, the legs of which were inserted in vast
boots. A rich frill of English point lace, with ruffles to match, gave
an air of magnificence to this toilet; the whole being surmounted with a
powdered head-dress with open wings, like those of a sea-gull in a
desperate storm. The result of all this toilette was such, that no one
felt inclined to laugh, or even if the inclination arose, the noble air
of which we have spoken soon repressed it. Aminta felt as Count
Monte-Leone had at Ceprano, when the latter made the acquaintance of the
Prince de Maulear, whom our readers have beyond doubt recognized.
Public-domain text, read in full here on John Shaqi.
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