The International Monthly, Volume 3, No. 1, April, 1851Various
History
The International Monthly, Volume 3, No. 1, April, 1851
Various
Art, Modern -- 19th century -- Periodicals; Literature, Modern -- 19th century -- Periodicals; Science -- History -- Periodicals
M. H---- reflected long on this letter. He hesitated not, because he was
used to confidences made in terms and in manner as strange. But the
conditions of the mask, so contrary to French habit, almost, in spite of
himself, annoyed and troubled him. He, however, began to be inspired
with the confidence which the man evidently felt himself. He therefore
decided to receive him, and gave orders, that should the masked man
present himself he should be admitted into his cabinet. M. H----only
took a few measures of prudence, and after having examined the locks and
charges of his pistols, which he always wore, and assured himself that
the sound of a bell on his table would be heard at once by the
attendants, waited attentively for the hour of the interview. The clock
of the Palais Royal struck nine, when he was told that a masked man
wished to speak to him. A few minutes after the visitor was introduced.
He was tall and wrapped in a brown cloak, which he threw off when he had
reached the room. He wore a costume half way between a tradesman's and
prosperous workman's.
"What do you wish, Monsieur?" asked M. H----, who was sitting in his
chair.
Without replying, the stranger, who was standing, pointed to two glass
doors on each side of one through which he had entered, behind which
were full silk curtains. M. H----understood him, and after a moment's
hesitation, decided, and clapped his hands thrice. This was probably a
signal well understood, for soon after a slight noise was heard in each
of the rooms, and the silk curtains were slightly agitated. Then rising,
M. H---- opened the two doors and shut two external ones, which
doubtless communicated with two other rooms.
"Thank you, sir," said the mask, "you will not regret your confidence."
Public-domain text, read in full here on John Shaqi.
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