Old Hans openly confessed his fault. He had the odd peculiarity of carrying about him, in all his pockets, a little box of lucifer matches, in order never to be at a loss when he wanted to light his pipe. Whenever any one called on him, and wherever he went, his fingers were almost unconsciously playing with the matches. Often and often he was heard to exclaim, "Provoking enough! that these matches should come into fashion just as I am going off the stage. Look! a light in the twinkling of an eye! Only think of all the time I've lost in the course of my life in striking a light with the old flint and steel,--days, weeks, ay, years!" The fire had, to all appearances, originated with this child's play of the old man, and the magistrate said with regret that he must inflict the legal penalty for his carelessness. "However, at all events 'tis well 'tis no worse," he added; "you are in truth the last of the fiddlers; in our dull, plodding times, you are a relic of the past--of a merry, careless age. 'Twould have been a grievous thing if you had come to such a miserable end." "Look ye, your worship, I ought to have been a parson," said Hans; "and I should have preached to the folks after this fashion:--'Don't set too much store on life, and it can't hurt you; look on every thing as foolery, and then you'll be cleverer than all the rest. If the world was always merry--if folks did nothing but work and dance, there would be no need of schoolmasters--no need of learning to write and read--no parsons--and (by your worship's pardon) no magistrates. The whole world is a big fiddle--the strings are tuned--Fortune plays upon them; but some one is wanted to be constantly screwing up the strings; and this is a job for the parson and magistrate. There's nothing but turning and screwing, and turning and scraping, and the dance never begins.'" The fiddler's tongue went running on in this way, until his worship at length took a friendly leave of him. We shall, however, remain, and tell the reader something of the history of this strange character. It is now nearly thirty years since the old man first made his appearance in the village, just at the time when the new church was consecrated. When he first came among the villagers, he played for three days and three nights almost incessantly the maddest tunes. Superstitious folks muttered one to another that it must be Old Nick himself who could draw such spirit and life from the instrument, as never to let any one have rest or quiet any more than he seemed to require it himself. During the whole of this time he scarcely ate a morsel, and only drank--but in potent draughts--during the pauses. Often it seemed as if he did not stir a finger, but merely laid the fiddlestick on the strings, and magic sounds instantly came out of them, while the fiddle-bow hopped up and down of itself.