The International Monthly, Volume 3, No. 1, April, 1851Various
History
The International Monthly, Volume 3, No. 1, April, 1851
Various
Art, Modern -- 19th century -- Periodicals; Literature, Modern -- 19th century -- Periodicals; Science -- History -- Periodicals
Hans, moreover, was now permitted again to play to the children under
the village oak on a summer evening. Thus he lived quite a new life; and
his former spirit seemed in some measure to return. In the summer, when
the building of the new schoolhouse was commenced, old Hans was riveted
to the spot as if by magic; there he sat upon the timbers, or on a pile
of stones, watching the digging and hammering with fixed attention.
Early in the morning, when the builders went to their work they always
found Hans already on the spot. At breakfast and noon, when the men
stopped work to take their meals, which were brought them by their wives
and children, old Hans found himself seated in the midst of the circle,
and played to them as they ate and talked. Many of the villagers came
and joined the party; and the whole was one continued scene of
merriment. Hans often said that he never before knew his own importance,
for he seemed to be wanted everywhere--whether folks danced or rested,
his fiddle had its part to play: and music could turn the thinnest
potato-broth into a savory feast.
But an unforeseen misfortune awaited our friend Hans, of which the
worthy magistrate, notwithstanding his kindness to the old man, was
unintentionally the cause. His worship came one day, accompanied by a
young man, who had all the look of a genius: the latter stood for some
minutes, with his arms folded, gazing at Hans, who was busy fiddling to
the workpeople at their dinner.
"There stands the last of the fiddlers, of whom I told you," said the
magistrate; "I want you to paint him--he is the only relic of old times
whom we have left."
The artist complied. At first old Hans resisted the operation stoutly,
but he was at length won over by the persuasion of his worship, and
allowed the artist to take his likeness. With trembling impatience he
sat before the easel, wanting every instant to jump up and see what the
man was about. But this the artist would not allow, and promised to show
him the picture when it was finished. Day after day old Hans had to sit
to the artist, in this state of wonder and suspense, and when at noon he
played to the workmen at their meals, his tunes were slow and heavy, and
had lost all their former vivacity and spirit.
At length the picture was finished, and Hans was allowed to see himself
on canvas. At the first glance he started back in affright, crying out
like one mad, "Donner and Blitz!--the rascal has stolen me!"
Public-domain text, read in full here on John Shaqi.
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