The International Monthly, Volume 3, No. 1, April, 1851Various
History
The International Monthly, Volume 3, No. 1, April, 1851
Various
Art, Modern -- 19th century -- Periodicals; Literature, Modern -- 19th century -- Periodicals; Science -- History -- Periodicals
Prince Soltykoff has not followed the too commonly adopted recipe for
writing a book of travels. He has not on his return home read every body
else's book on the same subject,--and then condensed his readings into
one volume, bristling with erudition and stuck full of learned notes
which, ten to one, are either not read at all or read in the wrong
place. As to notes--there are not two to each volume. Satisfied with
having said nothing that is not true, and with having related nothing
that he has not seen, he feels no misgivings or regret at leaving much
unsaid. Of all the information which can be acquired without leaving
one's fireside in London or St. Petersburg he gives not a word, but the
valuable testimony of the eyewitness he records in a series of drawings
in which Eastern life is 'taken in the fact' with a truth and liveliness
of touch rarely found in an amateur pencil. The letter-press is a
secondary part of the work,--merely to render the drawings intelligible;
and we are convinced that if the author could have imagined a more
unpretending title for his book than the one given, he would have
selected it. Indeed, the word _book_ is scarcely an appropriate one to
use on this occasion; and we may compare the pleasure which we have
derived in perusing Prince Soltykoff's travels both in Persia and in
India to that afforded by the inspection of the album of an intelligent
traveller who should enliven the exhibition by his agreeable and
instructive conversation.
The travels in India took place between the years 1841 and 1846, while
those in Persia were accomplished as far back as 1838. We are not told
why the publication has been so long delayed, and can account for it
only by supposing that the fashion which has lately brought before the
public in the capacity of authors so many subjects of the Czar, was not
in 1838 so prevalent at St. Petersburg. Be that as it may, a picture of
the Eastern world in its immobility can brave a lapse of time which
would prove fatal to the likeness of any portraiture of European
society. The following sketch, for instance, is likely to be as true
now, as when it was written:--
Public-domain text, read in full here on John Shaqi.
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