The International Monthly, Volume 3, No. 1, April, 1851Various
History
The International Monthly, Volume 3, No. 1, April, 1851
Various
Art, Modern -- 19th century -- Periodicals; Literature, Modern -- 19th century -- Periodicals; Science -- History -- Periodicals
researches to discover the origin and symbolical meaning of this
courtesy have proved in vain; I have never obtained a satisfactory
explanation to my questions on this head: all I can say is, that the
hackneyed forms of salutation in use among European nations have since
seemed to me far less absurd than they formerly did."
We have no doubt that even should Prince Keikhobade-Mirza have departed
this life, another original might be found for the following picture of
a Persian prince in reduced circumstances:
"On my return home I found an Armenian merchant waiting for me who
seemed somewhat less of a rogue than his brethren. He had brought me a
_Sipehr_ (shield) in delicately wrought steel, ornamented with
inscriptions and arabesques, inlaid in gold; it belonged, he said, to
Prince Mohammed-Veli-Mirza, and he demanded a sum of thirty-six toumans
(about eighteen pounds), which I gave without hesitation. It was not
dear at that price. This Mohammed-Veli-Mirza, one of the numerous sons
of the late Fet-Ali-Schah, had been, if I mistake not, governor of
Schiraz. His reputation, as well as that of his brother
Keikhobade-Mirza, (indeed, I might say of all his brothers), was so well
established in the country, that the Armenian begged I would not
consider the bargain as concluded until he had paid the money into the
prince's hands, lest he should wish to recede from his word. You know,
he said, that these _Schahzades_ have no scruples in these
matters,--that they are all _tamamkharab_, that is to say, bad
characters--_kharab_, meaning a thing that is bad--decayed, dilapidated.
Fortunately the fears of the prudent Armenian were not realized; for a
wonder, Mohammed-Veli-Mirza was contented with the sum he had first
asked, and the _Sipehr_ was added to my collection. A few days later I
received a deputation from Prince Keikhobade-Mirza, offering me a
similar shield as a present. In the first impulse of my gratitude I
hastened to present my thanks to the generous donor. His house was the
abode of poverty; his appearance was noble and dignified, and his
countenance very handsome, although he squinted. The portrait of his
royal father, the late Fet-Ali-Schah, hung in the room, and I was
struck with the resemblance between father and son. The full-length
portrait of my gracious host was there also--in the full dress of a
prince of the blood holding a shield. Keikhobade-Mirza, whose gracious
and cordial reception touched me the more on account of the evident
poverty of his household, pointed to this latter portrait,--saying that
in his father's lifetime he was, as I could see, his _selictar_, or
royal shield-bearer, and enjoyed a brilliant station, but that now he
was fallen; adding that he had sent me the shield which he had
inherited--the same which I saw represented in the picture--knowing that
I had been looking out for curious arms at the bazaar. I was profuse in
my expressions of gratitude, although thanks in Persia denote a man of
Public-domain text, read in full here on John Shaqi.
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