The International Monthly, Volume 3, No. 2, May, 1851Various
History
The International Monthly, Volume 3, No. 2, May, 1851
Various
Art, Modern -- 19th century -- Periodicals; Literature, Modern -- 19th century -- Periodicals; Science -- History -- Periodicals
On reaching Turin, he was present at a performance of his _Virginia_ at
the same theatre where, nine years before, his early play of _Cleopatra_
had been acted. He shortly received intelligence that the Countess had
been permitted to leave Rome and to go to Switzerland. He could not
refrain from following her, and accordingly rejoined her at Colmar, a
city of Alsace, after a separation of sixteen months. The sight of her
whom he loved so dearly again awakened his poetic genius, and gave
birth, at almost one and the same moment, to his three tragedies of
_Agide_, _Sofonisba_, and _Mirra_, despite his previous resolve to write
no more. When obliged to leave the Countess, he returned to Italy, but
the following year again visited her, remaining in Alsace when she
proceeded to Paris. She happened to mention in a letter that she had
been much pleased with seeing Voltaire's _Brutus_ performed on the
stage. This excited his emulation. "What!" he exclaimed, "_Brutuses_
written by a Voltaire? I'll write _Brutuses_, and two at once, moreover,
time will show whether such subjects for tragedy are better adapted for
me or for a plebeian-born Frenchman, who for more than sixty years
subscribed himself _Voltaire, Gentleman in Ordinary to the King_."
Accordingly he set to work, and planned on the spot his _Bruto Primo_
and _Bruto Secondo_; after which he once more renewed his vow to Apollo
to write no more tragedies. About this period he also sketched his
_Abel_, which he called by the whimsical title of a _Tramelogedy_. He
next went to Paris, and made arrangements with the celebrated Didot for
printing the whole of his tragedies in six volumes. On returning to
Alsace, in company with the Countess, he was joined by his old friend
the Abate di Caluso, who brought with him a letter from his mother,
containing proposals for his marriage with a rich young lady of Asti,
whose name was not mentioned. Alfieri told the Abate, smilingly, that he
must decline the proffered match, and had not even the curiosity to
inquire who the lady was. Shortly afterwards he was attacked by a
dangerous illness, which reduced him to the point of death. On
recovering, he went with his friends to Kehl, and was so much pleased
with the printing establishment of the well-known Beaumarchais, that he
resolved to have the whole of his works, with the exception of his
tragedies, which were in Didot's hands, printed there; and accordingly,
by August, 1789, all his writings, both in prose and poetry, were
printed.
In the mean time, the Countess of Albany had heard of the death of her
husband, which took place at Rome, on the 31st January, 1788. This event
set her entirely free, and it is generally believed that she was shortly
afterwards united in marriage to Alfieri; but the fact was never known,
and to the last the poet preserved the greatest mystery on the subject.
Public-domain text, read in full here on John Shaqi.
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