The International Monthly, Volume 3, No. 2, May, 1851Various
History
The International Monthly, Volume 3, No. 2, May, 1851
Various
Art, Modern -- 19th century -- Periodicals; Literature, Modern -- 19th century -- Periodicals; Science -- History -- Periodicals
Sorcery and witchcraft (to which, notwithstanding its title, Mr.
Wright's book chiefly relates) was a more vulgar pursuit, and is a more
difficult matter to determine. The true magician was a master over both
the seen and the unseen world. His art could _compel_ spirits or demons
to obey him, however much against their will. It seems a question
whether a spell of sufficient potency could not control Satan himself.
The witch or wizard was a vulgar being, a mere slave of the Evil One,
with no original power, very limited in derived power, and, it would
appear, with no means of acting directly except upon the elements. The
facts relating to witchcraft, being often matter of legal record, are
more numerous and more correctly narrated than those relating to magic.
The difficulty of fixing the exact boundary between truth and falsehood,
guilt and innocence, in the case of witchcraft, is not so easily settled
as the sciolist in liberal philosophy imagines. Of course we all know
that men and women could not travel through the air on broomsticks, or
cause storms, or afflict cattle. Their innocence of the intention is
not always so certain: their power over a nervous or weakly person,
especially in bad health, might really, through the influence of
imagination, produce the death threatened, and the miserable patient
might pine away as his real or supposed waxen image slowly melted before
the fire. At a time when the belief in witchcraft was entertained by
society in general, as well as by the majority of educated men, it is
not likely that the persons who were generally accused of it were
skeptical on the subject. Their innocence would lie, not in their
disbelief of its power, but in their rejection of the practice. That an
accusation of witchcraft was sometimes made from political, religious,
or personal motives, is true; and numbers of innocent victims were
sacrificed in times of public mania on the subject. The question is,
whether many did not attempt unlawful arts in full belief of their
efficacy; and whether some, a compound of the self-dupe and the
impostor, did not make use of their reputed power to indulge in the
grossest license and to perpetrate abominable crimes.
Public-domain text, read in full here on John Shaqi.
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